https://www.youtube.com/watch?v=nsFRRF9GtC4
Legendary cinematographer Robert Elswit explains the process behind shooting the arresting images of Netflix's show 'Ripley' with Andrew Scott and Dakota Fan

https://variety.com/2024/artisans/news/ripley-cinematographer-robert-elswit-shooting-freddies-murder-1236031968/
Variety Artisans Inside the Frame: 'Ripley' DP Robert Elswit Breaks Down Shooting and Lighting Freddie's Murder. The fifth episode of Netflix's' " Ripley " takes a darker turn when

https://www.vanityfair.com/hollywood/ripley-netflix-shot-list-awards-insider
Director Steven Zaillian and cinematographer Robert Elswit reveal the methods, ideas, and secrets of their new series' meticulous black-and-white visuals. By David Canfield. April 4, 2024

https://www.msn.com/en-us/entertainment/news/cinematographer-robert-elswit-breaks-down-ripleys-gorgeous-black-white-cinematography/vi-BB1nYjjm
Legendary cinematographer Robert Elswit explains the process behind shooting the arresting image's of Netflix's show 'Ripley' with Andrew Scott and Dakota Fanning. Variety Artisans presented by HBO.

https://nofilmschool.com/ripley-cinematography
Cinematographer Robert Elswit Breaks Down 'Ripley's' Black & White Cinematography. Ripley really is one of those shows you have to see to believe. It just sucks you into the world so quickly, and a lot of that has to do with the patience of the shots. It's like we're being lured by external forces.

https://www.thewrap.com/ripley-cinematography-robert-elswit-interview/
Andrew Scott in "Ripley" (Netflix) Jason Clark. June 6, 2024 @ 8:00 AM. Director Steven Zaillian might not have used black-and-white cinematography in past projects, but thankfully for him, his

https://www.emmys.com/news/online-originals/netflix-ripley-robert-elswit-interview
In writer-director Steven Zaillian's Ripley, the only witnesses to the titular sociopath-turned-murderer — played with unsettling sangfroid by Andrew Scott — are silent ones.And, like everything else in Netflix's captivating, eight-episode thriller, that was by design. "Steve was very well organized, and thoughtful," says Ripley's Oscar-winning cinematographer, Robert Elswit

https://www.vulture.com/article/ripley-easter-eggs-netflix-best-moments-shots.html
The black-and-white Netflix series relies on visual motifs that reflect its central character's alienation. ... Longtime collaborators Zaillian and cinematographer Robert Elswit engage the eye

https://amplify.nabshow.com/articles/create-ripley-robert-elswit/
All eight episodes of Netflix's limited series, adapted from Patricia Highsmith's novel The Talented Mr. Ripley, are directed by writer and creator Steven Zaillian, and they're all lensed by cinematographer Robert Elswit. "This singular vision gives Ripley both an impressive aesthetic cohesion and a radical kind of ambition," says Vanity Fair's David Canfield, who has the

https://www.thewrap.com/ripley-review-netflix-andrew-scott/
"Ripley" showrunner Steven Zaillian and cinematographer Robert Elswit revel in the artistry of ... Set in 1960 and shot in black-and-white, the production strives to impose a dark dread on its

https://havecamerawilltravel.com/ripley-photography/
Ripley (Netflix; 2024). Written and directed by Steven Zaillian; cinematography by Robert Elswit. Photo by David Coleman / Have Camera Will Travel. And that might be the foundational magic trick that the photography in this series pulls off: providing a striking new way to see these heavily touristed locations.

https://www.goldderby.com/article/2024/ripley-cinematography-emmys/
TV. April 22, 2024 8:00AM. Netflix. We occasionally get black-and-white films hearkening back to old Hollywood, but it's less common to see TV go that route. " Ripley " does, however, with

https://medium.com/@havecamerawilltravel/ripley-is-a-masterclass-in-black-white-photography-6bdf932e9000
Ripley (Netflix). The story is based on Patricia Highsmith's novel The Talented Mr. Ripley (1955), the first of what became a 5-book series. This Netflix version, across 8 episodes, is writer

https://www.panavision.com/highlights/highlights-detail/robert-elswit--asc--the-cinematography-of-ripley
The series was written and directed by Steven Zaillian, who partnered with cinematographer Robert Elswit, ASC for all eight episodes. Elswit's primary lenses for the production were Panavision VA primes, supplemented with select Primo 70 and Ultra Speed focal lengths as well as Primo 70 and prototype VA zooms.

https://www.inverse.com/entertainment/ripley-no-dialogue-episode-spoilers
April 21, 2024. Netflix. Ripley isn't like anything else that's on TV right now. The Netflix series is, for starters, shot entirely in black and white by cinematographer Robert Elswit. That

https://theonlinephotographer.typepad.com/the_online_photographer/2024/05/ripleys-bw-cinematography.html
And sure enough. The cinematographer turned out to be Robert Elswit, a Hollywood heavy hitter with big-time movies to his credit, such as There Will Be Blood as well as many of Paul Thomas Anderson's other films, The Bourne Legacy, TV movies like Steel Magnolias, and the aforementioned Good Night and Good Luck.

https://www.dailymotion.com/video/x903aqy
Legendary cinematographer Robert Elswit explains the process behind shooting the arresting image's of Netflix's show 'Ripley' with Andrew Scott and Dakota Fanning. Variety Artisans presented by HBO. ... Watch fullscreen. Cinematographer Robert Elswit Breaks Down 'Ripley's' Gorgeous Black & White Cinematography. Variety. Follow Like Favorite

https://seriouslyphotography.com/2024/06/what-makes-the-ripley-cinematography-so-stunning/
Cinematographer Robert Elswit Breaks Down 'Ripley's' Striking Black & White Cinematography. Ripley really is one of those shows you have to see to believe. It just sucks you into the world so quickly, and a lot of that has to do with the patience of the shots. It's like we're being lured by external forces.

https://www.thewrap.com/king-richard-cinematography-robert-elswit-interview/
Joe McGovern. January 27, 2022 @ 8:45 AM. During his 40-year career as a cinematographer, Robert Elswit has shot movies in practically every genre: "The Hand That Rocks The Cradle," "Syriana

https://www.msn.com/en-ca/movies/news/the-best-tv-cinematography-of-2024-so-far/ss-BB1ooK9C
The black and white cinematography of Robert Elswit ("There Will Be Blood") is, as you'd imagine, stunning, but maybe not in the way you imagined.

https://www.linkedin.com/posts/ahmed-alaidy-71813125_cinematographer-robert-elswit-breaks-down-activity-7209053921401589760-Xan0
Cinematographer Robert Elswit Breaks Down 'Ripley's' Striking Black & White Cinematography

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This special package includes admission to the massively popular Ripley's Aquarium of the Smokies as well as tickets to two or more Ripley's attractions of your choice for a savings of $22! There isn't any other Gatlinburg attraction deals that offer this big of a discount! The best part is, the more attractions you add, the more you save!

https://www.gatlinburg-attractions.com/attraction/ripleys-aquarium-of-the-smokies/
Voted Best U.S. Aquarium! Marvel at 12-foot sharks, a giant sea turtle, thousands of exotic sea creatures and playful penguins in State-of-the-Art Underwater Tunnels! Touch Horseshoe Crabs, Jellyfish & Stingrays! Hourly Dive/Feeding Shows and more!

https://www.gatlinburg-attractions.com/attraction/ripleys-moving-theater/
Ripley's Moving Theater - Gatlinburg Attractions | Things To Do In Gatlinburg, TN. Experience 5D Done Right! The thrill movies you ride now powered by Real D 3D. Cutting Edge, State-of-the-Art Motion Simulator! Feel every bump, dip, turn, a rush of wind and full weather effects! Ride the Movie, Feel the Rush!

https://www.msn.com/en-us/news/us/robert-booker-one-of-knoxville-s-leading-black-voices-and-a-civil-rights-luminary-dies-at-88/ar-BB1iIIYp
Robert Booker, then a student at Knoxville College, talks to Knoxville College Dean John Bell from a city jail cell after Booker's arrest during a protest at the Tennessee Theatre on Oct. 9, 1961.