https://www.youtube.com/watch?v=QPmEKNrfu1s
In this episode, I am exploring the unmatched bow control and its principles from some of the best Stolyarsky's pupils: David Oistrakh and Eduard Grach. How

https://en.wikipedia.org/wiki/David_Oistrakh
Oistrakh in 1954. David Fyodorovich Oistrakh (né Eustrach; 30 September [O.S. 17 September] 1908 - 24 October 1974) was a Soviet Russian violinist, violist, and conductor.He was also Professor at the Moscow Conservatory, People's Artist of the USSR (1953), and Laureate of the Lenin Prize (1960).. Oistrakh collaborated with major orchestras and musicians from many parts of the world and was

https://www.violinist.com/discussion/archive/19175/
David Oistrakh is one of my favorite examples of exceptional bow technique, so I'll talk about it again. In the first 50 seconds, you can see some of his bow technique. ... I got lots of comments about bow/hand/arm/thumb commands. In a sense, the bow is 'doing it', and that does happen with a good bow, but it happens because subtle movements of

https://www.thestrad.com/artists/remembering-the-great-violinist-david-oistrakh/4547.article
Julian Haylock examines the technical poise, interpretative focus and musical humility that made the player a violinistic ideal. David Oistrakh held all aspects of violin artistry in perfect balance and made even the most challenging of pieces seem effortless. For many the ideal violinist, he combined fingers of steel with a heart of gold.

https://www.britannica.com/biography/David-Oistrakh
David Oistrakh (born September 17 [September 30, New Style], 1908, Odessa, Ukraine, Russian Empire [now in Ukraine]—died October 24, 1974, Amsterdam, Netherlands) was a world-renowned Soviet violin virtuoso acclaimed for his exceptional technique and tone production.. A violin student from age five, Oistrakh graduated from the Odessa Conservatory in 1926 and made his Moscow debut in 1929.

https://stringsmagazine.com/essential-historical-recordings-david-oistrakh/
Leopold Auer, who taught all three, pulled up stakes in 1918, saying work in Russia had become impossible. Milstein's leaving must have felt like a final indignity. Check out more from our Essential Historical Recordings series. Luckily for Russian violin playing, David Oistrakh was just coming of age. With his effortless technique, enormous

https://queenelisabethcompetition.be/en/laureates/david-oistrakh/133/
David Oistrakh (1908-1974) is considered the premiere violinist of the mid-twentieth century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. His violin studies began in 1913 with Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa Conservatory, graduating in 1926 by playing Prokofiev's

https://www.bach-cantatas.com/Bio/Oistrakh-David.htm
David Oistrakh (Violin, Conductor) Born: September 30, 1908 - Odessa, Russian Empire (now Ukraine) Died: October 24, 1974 - Amsterdam, the Netherlands The great Russian violinist, outstanding pedagogue and esteemed conductor, David Fyodorovich Oistrakh [Oistrach], was born in the cosmopolitan city of Odessa in the Russian Empire (now Ukraine) into a Jewish family of merchants of the second guild.

https://stringsmagazine.com/pyotr-stolyarskys-contributions-to-20th-century-russian-violin-playing/
David Oistrakh was his prize pupil, whose talent Stolyarsky recognized and nurtured from when Oistrakh came to him at age five until he left Odessa to begin his stellar career at the age of 18. Oistrakh revered his only teacher throughout his life. Milstein, however, was less enchanted. "I am always asked about Stolyarsky.

https://www.amazon.com/Art-David-Oistrakh-Vol/dp/B01MZD449V
David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa

https://www.thestrad.com/playing-hub/what-is-true-violin-legato/14222.article
A necessary deep-dive into the relevant left- and right-hand techniques will follow. ... Having an awareness and understanding of how the bow arm moves is crucial to achieving a good tone on the violin. Premium Feature Technique: Smooth string-crossings. 2022-07-08T07:56:00Z. David Gillham, associate professor of violin at the University of

https://boxset.me/oistrakh-cluytens-beethoven-violin-concerto-in-d-op-61-sacd-iso/
Legendary violinist David Oistrakh delivers a profoundly thrilling rendition of Beethoven's Concerto for Violin & Orchestra in D Major Op.61. Arguably, 1 of the best violin concertos ever composed, the esteemed violinist delivers with his flawless virtuosity & skillful execution. Remastered by 4 historic engineers, the sound is spacious & warm.

https://www.amazon.com/David-Oistrakh-Vol-1/dp/B08F7VW2Z3
Artist bios. David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the

https://koninginelisabethwedstrijd.be/nl/laureaten/david-oistrakh/133/
David Oistrakh (1908-1974) is considered the premiere violinist of the mid-twentieth century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. His violin studies began in 1913 with Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa Conservatory, graduating in 1926 by playing Prokofiev's

https://www.amazon.com/Beethoven-Violin-Concerto-2011-Remaster/dp/B07NCYV86B
Artist bios. David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky.

https://www.qobuz.com/gb-en/interpreter/david-oistrakh/24854
Brahms: Violin Concerto Op. 77 by David Oistrakh (Remastered 2022, Studio 1960) David Oïstrakh, Otto Klemperer, Orchestre National de France. Classical - Released by Alexandre Bak - Classical Music Reference Recording on 30 Jan 2023. 24-Bit 96.0 kHz - Stereo. Starting at £9.04.

https://www.amazon.com/Brahms-Violin-Concerto-Op-77/dp/B08C6P7J83
David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa

http://www.cello.org/Newsletter/Articles/mantel.htm
The bow change can be made to sound like the consonants W, M, L, K and so on, going through the entire gamut of hardness and softness. TJ: You seem to advocate in your book what is often called the "paintbrush" technique, in which the fingers and wrist lag behind the arm in order to smooth out the bow changes.

https://www.amazon.com/David-Oistrakh-Vol-3/dp/B08GSWDJKZ
David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa

https://www.amazon.com/Encores-David-Oistrakh-Vladimir-Yampolsky/dp/B08B1VBPKY
David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa

https://www.amazon.com/music/player/albums/B099PHVNJC
Oistrakh felt that a violinist's essence was communicated through clever and subtle use of the bow, and not through overly expressive use of vibrato. To this end he developed a remarkably relaxed, flexible right arm technique, capable of producing the most delicate expressive nuances, but equally capable of generating great volume and projection.