https://www.youtube.com/watch?v=YQu5xkYvc9g
#livemusic #musicbusiness #musicindustry Concert promoters - what do they do, how do they make money, and who are they? Find out in this video, part of a ser

https://quizlet.com/344442329/music-business-ch-16-concert-production-flash-cards/
Concert Production. -Live music concerts leave a vast economic footprint. Estimates are close to $6 Billion a year in just North America. -Boosts record sales; Artists usually tour for a period of time first to promote the album, then to keep the album front and center in consumer's mind. -Increases demand for merchandise; sales of merchandise

https://soundcharts.com/blog/mechanics-of-touring
Promoters. Promoters are the side of the live business that funds the tour and buys the shows. The landscape of concert promotion is complex, and promoters themselves come in various shapes and sizes. To make it a bit simpler, imagine that promoter is a middle-man, connecting the concert space and the artist to put together a show.

https://www.routledge.com/The-Live-Music-Business-Management-and-Production-of-Concerts-and-Festivals/Reynolds/p/book/9780367859725
Description. The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been

https://api.pageplace.de/preview/DT0400.9781000481938_A41993559/preview-9781000481938_A41993559.pdf
Intended for music artists and students, The Live Music Business presents proven live-music career strategies, covering every aspect of putting on a live show, from rehearsing and soundchecks to promotions, marketing, and contracts. In an era when performing live is more essential than ever, this is the go-to guidebook for getting your show on the

https://prism.fm/blog/concerts/the-ultimate-guide-to-concert-promotion-and-concert-management-strategies-for-success/
Concerts are back to being one of the key driving forces of live entertainment. With concert attendance steadily climbing, supply costs stabilizing, and fans supremely motivated to chase great experiences, we appear to be entering a golden age for live music promotion.Although competition is intense, promoters who can tap the record level of enthusiasm will be able to have a major impact on an

https://www.taylorfrancis.com/books/mono/10.4324/9781003019503/live-music-business-andy-reynolds
ABSTRACT. The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been

http://livemusicexchange.org/blog/live-music-101-3-why-concert-promoters-matter-matt-brennan-and-emma-webster/
Posted on October 4, 2012. In the third of our series on the theories that underpin our research into live music, Matt Brennan and Emma Webster attempt to define the promoter and how they operate, in an extract from 'Why Concert Promoters Matter', originally published in Scottish Music Review in 2011. The authors analyse existing accounts

https://prism.fm/blog/live-music-events/tips-for-creating-the-essential-concert-promoter-business-plan/
A concert promoter business plan is essential to a successful event because it covers all your bases and ensures everything is organized and accounted for, helping you move forward confidently and avoid any unfortunate surprises. It outlines the strategies, goals, and actions a concert promoter intends to take to promote and produce live music

https://www.musicindustryhowto.com/5-types-of-concert-promoters-every-artist-needs-to-know/
In fact, the two global giants AEG Live and Live Nation control an estimated 70% of the box office. But there are several other big contenders in this space, some of the more notable of which are "indie promoters" in their own right and grossing millions of dollars annually. 5. Bad, Slimy, And Scam Promoters.

https://quizlet.com/873465071/concert-promotion-chapter-1-quiz-notes-flash-cards/
Study with Quizlet and memorize flashcards containing terms like Common views of touring, Key Players in Live Music Management, Three parts of the music business and more.

https://prism.fm/blog/concerts/how-do-todays-concert-promoters-find-artists/
Concert promoters: An irreplaceable part of the live music world. Concert promoters exist at the intersection of art and business. One of the primary jobs of any music professional is to help artists translate their talent into success in the real world—and this mission is one of the essential functions of the concert promoter. As a promoter

https://www.musicolio.com/what-are-concert-promoters/
Third, concert promoters are responsible for advertising and marketing concerts to ensure that the shows are well attended. This includes creating promotional materials, booking radio and TV spots, and developing online campaigns. They need to have a good understanding of the target audience and be skilled in creating effective campaigns.

https://quizlet.com/651069192/music-business-final-flash-cards/
Study with Quizlet and memorize flashcards containing terms like According to our textbook, concerts generated about 5 billion dollars in 2017., The biggest reason corporate sponsors pay to be part of a concert tour is_____., What do local promoters do for a touring act when working with a national promoter? and more.

https://books.google.com/books/about/The_Live_Music_Business.html?id=3GtHEAAAQBAJ
The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been extensively revised, reorganized, and updated to reflect today's

https://www.yellowbrick.co/blog/music/10-tips-for-becoming-a-successful-concert-promoter
In this article, we'll explore 10 tips for becoming a successful concert promoter. 1. Build a Strong Network. One of the most important things you can do as a concert promoter is to build a strong network of contacts in the music industry. This includes agents, managers, artists, and other promoters. Attend industry events, join professional

https://www.connollymusic.com/stringovation/concert-promoter
The concert promoter is responsible for every detail from connecting the right act to the right venue and negotiating a financially-viable event contract, to managing transportation, to getting tickets sold, to making sure the stage and equipment is properly set up. Being a concert promoter is not a role for those who can't focus on the

https://prism.fm/blog/live-music-events/a-report-on-the-concert-promotion-industry-in-the-us/
The largest players in the industry reported monstrous fan attendance in 2022, with overall ticket sales rising well above 2019 levels. Beyond the record-breaking 2022 rebound, the good news has continued to flow in 2023. With the largest promoters and venues leading the way, we might even see more tickets sold in 2023 than in 2022.

https://quizlet.com/886151883/concert-promotion-and-touring-exam-1-review-flash-cards/
Study with Quizlet and memorize flashcards containing terms like Common views of touring, Key Players in Live Music Management, Three parts of the music business and more.

https://learning.hccs.edu/faculty/jennifer.hawkins1/power-point-slides-chapter-1/power-point-text-chapter-2-the-music-business-system
Chapter Goals. Understand that the music business is a system composed of subsystems, each of which submits to rational analysis. Learn how a song gets through "the maze"—how it travels through the system to the bank. Grasp the significance of the "information age" and how to deal with it today. Understand that the music business is

https://quizlet.com/173691167/music-business-final-pt4-flash-cards/
Music Business Final pt.4. ... PLAY. other than superstars, what percent of concert seating sold should promoters use to figure a break-even point that will give them the most profit. 50%. personal manager for the band performing. twenty percent of the gross income from everything including the concert performance 'tv show, and merchandise

https://www.bythebarricade.com/concert-terms-glossary-54-music-industry-definitions/
9. Concert. A concert is a live performance by one or more musicians, typically/hopefully in front of a paying audience. Concerts can be held in various venues, including theaters, clubs, arenas, and outdoor spaces. Concerts are often organized and advertised by a promoter or production company.

https://quizlet.com/457238104/music-business-test-4-flash-cards/
Study with Quizlet and memorize flashcards containing terms like 4 main key responsibilities of a concert promoter:, When an agent issues a contract to a concert promoter, the rider attached to the contract will detail the artist's requirements including:, When radio stations sponsor concerts in their area, they negotiate __________ to give away in exchange for free or reduced-rate