Views : 626,241
Genre: Education
Date of upload: Dec 15, 2023 ^^
Rating : 4.981 (225/48,119 LTDR)
RYD date created : 2024-05-13T08:42:02.140969Z
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Top Comments of this video!! :3
8:11 I'd like to say that Avatar: The Last Airbender avoided saying the word "kill" by coming up with clever euphemisms. My personal favourite is Azula's "I'm about to become an only child!" line.
1.2K |
12:35 One Punch Man is a perfect example of a series where the tone shifts as long as one character is on-screen. As long as Saitama is the one fighting, we know the villain is going to die and no one else will get hurt, but whenever he isn’t present for a battle, people can suffer as gruesome injuries as one can imagine, and heroes lose to monsters constantly.
1.3K |
After watching this video I watched the Emperor's New Groove. Oh boy, what an example. The movie acknowledges breaks in logical consistency throughout and still maintains immersion, and I think it is all through tone armor. The movie lives by cartoon rules with characters who are slightly confused by that, but don't think about it too hard.
1.1K |
My friends and I used to note the cartoon armor. Back in highschool, we were running an RPG where one of us made an antagonist that was essentially a daffy duck character - chaotic, insane, and invincible. The character was not evil (being a cartoon), but was essentially causing havoc and his actions would cause damage to the none-cartoon players of our campaign. So, whenever someone tried to kill the character my friend would think of a loony tunes result, which he would then say 'cut away, cut back -- he's normal'. We finally beat him by getting him to swear, it cause him to lose his cartoon armor, signaled by a painful growth of a fifth finger on each of his hands.
2.7K |
Okay, I could actually see a paper cut with a single drop of blood being really funny to a cartoon character (though the example still stands). I'm just imagining a scenario where a cartoon character narrowly avoids a bunch of super dangerous traps or attacks and then at the very end gets a single Paper Cut and, as a single drop of blood drops out, acts like this was the most painful thing that's ever happened.
968 |
I think one story that does a tone armor break from dark to light is Kung Fu Panda. Tai Lung is this tough kung fu master that very easily takes down all the serious kung fu fighters in scenes that feel very dark and scary, but then Po comes in and his wow impact moment is the fact that he works on cartoony slapstick logic and Tai Lung can't beat that. All the other characters lacked tone armor because they and the scenes they were in approached everything seriously, but because Po is so much goofier, he completely broke the established tone and used it to save the day fantastically
1K |
I'm glad you put a name to this idea. I see it come up in D&D a lot: with some dungeon masters "I cobble together a disguise out of a mop and cardboard to impersonate the king" has a chance of working, with other groups that idea will get a laugh but everybody intrinsically knows not to attempt it because the campaigns tone guarantees it will fail.
617 |
18:20 I love the idea of tone armor so strong not even the villain knows they're allowed to hurt people and that revelation is so surprising to them
634 |
@brady376YT
4 months ago
this is a thing I heard Brennan Lee Mulligan bring up once. Something along the lines of: "If I am a child in a ghibli movie, I am invincible! However, if I am a child in a gritty noire setting, I am in very real danger at all times"
10K |