Views : 631,916
Genre: People & Blogs
Date of upload: Sep 16, 2023 ^^
Rating : 4.334 (4,588/22,986 LTDR)
RYD date created : 2024-05-15T07:11:35.415298Z
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Top Comments of this video!! :3
I had the privilege of working with her on a project. She was easy to talk with - direct, friendly, and avoided sophistry and self-aggrandizement. I asked her about how she generated her ideas. She told me she created a place, then went there and asked questions of the people she met, wrote it down and for the most part resisted re-editing it. To me this explains some of the wonderful mysteriousness of her work - she let the subconscious do the driving, and the human mind is very complex. Not everything makes perfect sense or gets resolved.
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This was extremely interesting. As an immediate reaction I have two points. Firstly, that in my almost 60 years on the planet, I have come to realise that only by taking the conscious decision to discover our whole selves — including the distasteful darknesss — can we truly begin to be works in progress. You'd be amazed at how many people simply will not or cannot do this (or maybe you wouldn't). Secondly, as a disabled person raised in an institutional setting, who struggles with lifelong issues of power and control by others, I know from daily experience that the unjust find the idea of the powerless becoming powerful not only dangerous but terrifying.
Thank you for a most intresting half-hour..
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The Ones Who Walk Away from Omelas is a rejection of Utilitarian ethics. the school which believes the best solution to a problem is the one which maximizes the overall happiness of the most people.
A "utipia" which concentrates all the suffering onto a single unlucky child maximizes happiness for the most people; only one person in the city is unhappy.
It shows how unjust and uncaring Utilitarianism is. (Written when groups like UNESCO were making public appeals based on Utilitarian ethics)
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An interesting essay about Ursula Le Guin, one of my favorite authors. However, it focuses only on her writings from 1968-76, her "classic period," if you will. I'd love to see what Mr. Walter thinks about her last great novel, Always Coming Home, which to my mind is both a greater artistic work than her more famous novels, and also a more mature and holistic expression of her underlying philosophy.
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Thank you for this tribute to Ursula Leguin. Mrs. Leguin was a member of our food cooperative in Northwest Portland Oregon. For years i had the privilege of seeing her as she did her weekly shopping and I would often ask her what kind of trouble she was formenting. One of the interesting aspects to her life was that her father and mother were both anthropologists. Alfred Kroeber was one of the pioneers of academic American anthropology in the 1920’s and her mother, Theodora, in the 1960’s published Ishi in Two Worlds about her husbands friendship with Ishi the last member of the Yahi tribe of Northern California. I’ve always felt that the anthropologist role as an outside observer of human culture, informed Ursula Leguins ability to conceive of other worlds. (An interesting anecdote that Ursula Leguin would tell of her having a story published in Playboy in the 1960’s. She was told by her agent that the magazine would not publish her story if she authored it as Ursula Leguin. Instead the story was published using the more gender ambiguous UK Leguin. She said she would sometimes later regret that she had used this ruse to gain publishing acceptance. However she would share this anecdote to illustrate the gender barriers that women writers had to overcome in the neanderthal 1950’s and 60’s. Ursula Lequin was an unpretentious warrior for human and humane liberation.
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In 1978 I was a junior English faculty member and decided to publish an article on "The Dispossessed." At that time I was steeped in anarchist (libertarian socialist) history and theory, so the article was the easiest of the three I'd written. It virtually poured out, and was quickly accepted by Science-Fiction Studies. It was a useful explication of the novel because LeGuin herself was well versed in anarchism. The article reappeared around 1985 in a collection of writings on LeGuin by Harold Bloom of Yale, though I was long out of academia by then and not aware of the Bloom book until over a decade later. The article is easy to find if you search on my name and "The Dispossessed," and this demonstrates not my illustrious intellect but the lasting interest in this writer.
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Thank you so much for this essay. It did kind of boggle my mind a bit. I did read once that LeGuin wrote The Wizard of Earthsea for her brother, who was suffering from depression. I guess she had the idea that he was separated from his shadow-self. tbh, I felt that she was rushing in where angels fear to tread in applying Jung's philosophies to what is a pretty complex illness. However I have just given a Google around that, only to find someone saying how useful the book was to them in their depression . . . so what do I know?
I don't remember LeGuin's stories for their philosophical ideas (I reckon I was too young and dumb when I read them . . . and maybe I am still too dumb), but for a kind of clarity of image and story and prose that I still remember as remarkable.
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You've earned my subscription. This blew me away in a lot of ways, almost like it opened more paths for me to understand this journey we call life. Thank you so much for this video, it is truly inspiring. I've been a sci-fi / fantasy fan for most of my life and while I've heard of some of her books I never realized how deep they actually are. Now I've got some reading to do, and some new insights. Thank you!!!
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In a radio interview she revealed the source of inspiration for Wizard of Earthsea. living in Portland, OR during a dark winter she said " I heard a voice asking me when I was going to write my story?" From this encounter came the Earthsea material. She went on to say that the voice returned many years later and asked her to finish its story. interesting
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Beautifully written and spoken. I began reading Ursula Le Guin in my late teens and never really got over her capacity to write poetically through prose, and to penetrate human motives and desires for beauty, for peace, for power. Her metaphors were really ikons, windows through which unseen realities could be grasped. I loved her books and would reread them periodically. You’ve done a wonderful work here.
Edit: I’m looking at your content and remember vividly how, as a teenager, I absorbed volumes of Burroughs, Heinlein, Clarke, Dick, Asimov, and Herbert. I am anticipating the enjoyment of your essays. This is going to be good.
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@DamienWalter
7 months ago
The Le Guin audio commentary accompanying this episode is now in the members section https://youtu.be/lUa_QkZ7yds?si=_U2ytEMwE7OcMqB1
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