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67,007 Views âą Streamed live on Mar 7, 2024 âą Click to toggle off description
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Tame Impala's Kevin Parker has had a huge influence on indie pop and rock, and just how far sounds can be pushed toward their breaking point while still sounding impressive, musical and satisfying.
Take a deep dive into the sounds of "Currents" and "The Less I Know The Better" in this episode.
Big thanks to Soundtoys for making this episode possible.
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#mixingengineer #tameimpala #kevinparker #davefridmann #musicproducer #audioengineer #justincolletti #sonicscoop #compression #eq #mixbus #mixingbreakthroughs #compressionbreakthroughs #masteringdemystified #mixingengineer #audioengineer #audioeducation #eqbreakthroughs #whatmakesthismixgreat
Views : 67,007
Genre: Music
Date of upload: Streamed live on Mar 7, 2024 ^^
Rating : 4.961 (29/2,977 LTDR)
RYD date created : 2024-05-04T12:20:41.752952Z
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YouTube Comments - 268 Comments
Top Comments of this video!! :3
If a mix is technically "bad" but it suits the genre, the mood and the idea of a certain song, it's not a bad mix
253 |
That mid-rangey intro forces people in their cars to turn up the volume and then BAM!
98 |
I never understood how engineers / producers as they get more advanced and hone their craft fall into the "right and wrong mindset" because as I've grown my ears are so much more keen to the texture and sonic character of different records and have just grown to appreciate so many different subtles of how different genres sound. I find myself now gravitating to mixes that bring something new to the table regardless of how traditionally right or wrong it may be.
72 |
When I listen to Tame Impalaâs âCurrentsâ I hear an indie retro pop album thatâs been produced like itâs EDM. That sounds all kinds of wrong on paper but Iâm still blown away by it.
47 |
This is album is one of my favorite sounding albums of all time.
53 |
You say in the first 10 seconds: "a great sounding track..." then at at 25 seconds: "it sounds terrible!"
I think this song is yet another example for people (us music "experts") to FINALLY accept that there is no one way that ART is to be (sound). NO RULES!!! FIGHT THE POWER!!! CREATE WHAT WE WANT!!! đ¶đș
just my humble opinion đ
Great video Justin.... keep 'em coming đ€
63 |
I'd love to see a video like this for Lush's Sweetness and Light.
1 |
A good arrangement mixes itself
6 |
You nailed it !
Fridmann's finest work is with The Flaming Lips.Namely, The Soft Bulletin, Yoshimi and Clouds Taste Metallic.
The bass and general sounds of Impala are VERY reminiscent of Lips' Yoshimi phase.Lips had a genius run of those three albums.
3 |
I recorded and mixed the music. I was using really cheap computer speakers. It was before I purchased my monitors. I was looking for a Beatles vibe. In fact the session was done right after we finished re-recording The Beatles albums.
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When it sounds good, it is good.
5 |
Fridmannâs work with Mercury Rev & Phantom Planet also not to be missed
1 |
âMake it more awesomerâ put perfectly
2 |
LCD Soundsystem's "Dance Yrself Clean" and The Faint's "Posed to Death" are a couple of examples that popped in my head, of quite, mid-rangy intros. LCD's being very long before you blow out your speakers or ears.
2 |
Just came across this channel, was hoping to see tons of videos like this.
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It hit me as beautiful too, wonderful enthusiastic session
1 |
You can hear Kevin Parkerâs production within Dua Lipaâs latest era. He produced both Houdini & Training Season.
17 |
I compress the vocal reverb with it side chained to th vocal so itâs larger in the gaps between the vocals and lower in level during the vocal. I know this is pretty normal but a good way to use larger reverbs but keep intelligibility in the vocals.
3 |
I use the trick of using compression at the end of a vocal chain specifically to bring up the volume of reverb tails, etcâŠI hate boring mixes. This Tame Impala record in particular is full of ear candy and I love it.
30 |
@SonicScoop
1 month ago
There's so much more I could have talked about here! The way the lowest notes in the bass riff are allowed to "blossom" compared to the upper notes... the way the vocal texture is created by layering multiple nearly identical takes... Parker's use of modulation effects... There are other thIngs I meant to mention, but didn't want to keep you for an hour! What else do you think I missed? âșđMixing Breakthroughs: mixingbreakthroughs.com/ âșđCompression Breakthroughs: compressionbreakthroughs.com/ âșđ§ EQ Breakthroughs: eqbreakthroughs.com/ âșđMastering Demystified: masteringdemystified.com/ âșâ Become a channel member here: youtube.com/channel/UCqEKv3KIZoZrjv2LymD3iMg/join
22 |