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604,637 Views • Aug 17, 2019 • Click to toggle off description
Do you want to learn how to start any edit like feature film and documentary editors do it? Please visit: www.secreteditinghacks.com/
Vashi was one of many people at Adobe that helped Gone Girl happen. He specifically trained editorial team members in transitioning to Premiere Pro in preparation for post-production. Check out this video that gives you a Behind The Scenes on the workflow of the film: • Behind the Scenes on Gone Girl | Adob...
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Nedomansky's company VashiVisuals has provided post-production workflow, consulting services and Premiere Pro training for numerous projects including: Deadpool, Gone Girl, The Good Doctor and House of Cards. Vashi has also trained fellow ACE film editors in transitioning to Adobe Premiere Pro including: Kirk Baxter, Angus Wall, Billy Fox, Don and Dean Zimmerman, Julian Clarke, Nicolas De Toth, Jon Corn, John Venzon, Joan Sobel, Bruce Green and many more.
Vashi has edited 11 feature films including the global phenomenon "Sharknado 2", the comedy "An American Carol" for director David Zucker (Airplane, Scary Movie) and the PTSD documentary "That Which I Love Destroys Me" for director Ric Roman Waugh (Snitch, Felon). He also edited "6 Below", the first native 6K feature film in Hollywood history.
Vashi has collaborated on projects with: Jerry Bruckheimer, Michel Gondry, John Landis, Dennis Hopper, 20th Century Fox, Sony, Universal Studios, Warner Bros. and Disney Studios.
Originally, he defected from Czechoslovakia as a child during the Cold War and grew up in Toronto and Detroit. Following his career as a professional hockey player, Vashi has been a film editor in Los Angeles since 2001.
Follow Vashi:
Website - vashivisuals.com/home/
Twitter - twitter.com/vashikoo
Instagram - www.instagram.com/vashivisuals/
IMDb - imdb.com/name/nm0624049/
Facebook - www.facebook.com/pages/Vashi-Visuals/4117657155982…
LinkedIn - www.linkedin.com/in/vashi-nedomansky-ace-8687176/
YouTube - youtube.com/user/vashifilms
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This Guy is Sven, an A.C.E. Award nominee who cut for James Cameron, Joseph Gordon-Levitt, and James Franco.
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My absolute favorite Film Editing Book is...
"In the Blink of an Eye" by Walter Murch: amzn.to/20ujg6B
Find out about Walter Murch's theory on the relationship of eye blinking and editing: • In the Blink of an Eye - Walter Murch...
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Check out my editing setup at kit.co/ThisGuyEdits
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All Rights Reserved
© Copyright 2019 This Guy Edits™
This video was edited by:
Aaron Fitzgerald & This Guy Edits
Follow Aaron on instagram @fitzyfilm.
Stock Footage courtesy of Filmsupply.com/
"Jill Bilcock: Dancing the Invisible"-scene courtesy of
Axel Grigor, director and editor - www.imdb.com/title/tt8027180/?ref_=nv_sr_2?ref_=nv…
Music courtesy of MusicVine.com/:
- musicvine.com/playlist/85209
Views : 604,637
Genre: Film & Animation
Date of upload: Aug 17, 2019 ^^
Rating : 4.962 (247/26,063 LTDR)
RYD date created : 2022-04-09T16:05:41.062884Z
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YouTube Comments - 414 Comments
Top Comments of this video!! :3
Thou shall save and keep a backup
1.2K |
Audio is often so underrated, especially with unexperienced filmmakers. On set and in post. Not only don't people understand the concept of shutting the f up for a minute when recording room tone, but also that it is one of the things that are best when unnoticed.
10 |
I think you searched the comments section looking for these:
The 7 Laws of Film Editing
1. THOU SHALT watch every frame of raw footage at least twice, the start.
(1st time to familiarize, then 2nd time to write notes.)
2. THOU SHALT nurture the relationship with the director.
3. THOU SHALT find any shot instantly. Organization is paramount.
4. THOU SHALT factor extra time for renders, exports, errors & crashes.
5. THOU SHALT attempt edits that shouldn't work. You'll be surprised.
6. THOU SHALT spend more time on audio. It's the glue of your edit.
7. THOU SHALT cut for the scene, but always in the context of the whole film.
(Macro on a Micro view of the film the whole time)
11 |
I’ve been a feature film editor for 25 years and I agree completely with these seven rules
92 |
Quick story to illustrate how big audio can be:
When I was a film student, ages ago, one of our projects was to edit a fight scene from the old TV show Gunsmoke. This is the early 90s, pre-digital, so we were editing film on Steenbecks.
Most of the edits came out alike, except mine. I used shots because they looked great, but some had bad recorded audio. One had a very loud bang when an actor fell into part of the set. So I worked with the audio track and fixed it. For that one shot I chopped out an impact sound from a different take and spliced it in. It let me use these great shots, and made my edit stand out from the rest. By the time I was done, my audio tape looked like it had been put through a shredder and been reassembled, but it sounded smooth.
That decision saved my edit and got me a good grade on it.
10 |
This short clip has actually made me appreciate film again. Haven't really watched films for a couple of years (college eating up all my energy resources), and this has given me a strong desire to dig some of my old favourites out. This has given me an appreciation for what these crews are able to do.
3 |
I NEED the summary screenshot as a poster and stick it on the wall opposite to my editing office door. So every morning when I walk in, it's the first thing I see. Thank you SOOO much for your time and this valuable video.
5 |
Great essay. One can almost derive the "top 5 editor's character traits" :) Love your work. Keep at it!
6 |
Great video! Always so insightful to hear from the real pro's - tips like that audio x-fade were super useful. That attention detail is such a testament to the editing process - a million tiny acts that create a wonder. Great job, thank you for creating this.
8 |
What a beautifully made video this is! The edits, the interview snippets, the films included for illustration's sake--bravo! You are a filmmaker, sir. And I am your newest subscriber.
3 |
This is great, Sven! Thanks for making this!
2 |
This video is awesome. Ive been in a funk with getting the motivation to edit. This really helped me realize how complex editing actually is and its normal to be a little overwhelmed at times.
2 |
As an Emmy nominated editor and having spent 50 years in the Network TV trenches..from Ampex quads, CMX, Avid, DaVinci and the Edit Droid etc. This little instructional clip was brilliant and right on the money. Thanks for your input Vashi..I'm sure all the new comers to this important and critical cinematic art form known as "Editing", will find this extremely helpful. So with all that being said...I just had to drop this:
TOP TEN LIES EDITORS TELL THEIR PRODUCERS:
10. It's just a preview glitch
9. It's out of the safe area, you'll never see that on the air
8. It won't really look like that
7. I'll fill out the paperwork tomorrow
6. Why no, I don't mind working on Saturday
5. Oh, don't go by THAT monitor
4. It works better as a cut!
3. That glitch is on the source tape
2. I?ll have all your changes done by the end of the day
1. No, I agree. It?s much better that way.
26 |
After 6 months, I rewatched it 2nd time today just to compare what I learnt in these past 6 months. Thank you, brother, for always spreading knowledge.
7 |
this video is neatly edited! Amazing info, thank you for creating this!
4 |
That middle screen devoted to the timeline made me sweat in a good way. Great content as always.
2 |
As an editor myself. I fully agree to everything in this video:)
127 |
Adore this, being able to see the thousands of images at a glance.
11 |
I'm learning how to edit and this motivates me so much every time. For me it's the highest form of creativity because there is no right or wrong. I have a lot of work in front of me but I'll get there :) Thanks for this awesome video!
158 |
@blenderguru
4 years ago
This is actually some of the best editing I've seen in an educational video. You turned a phone interview into an engaging, concise lesson. Beautiful demonstration of the topic!
836 |