Views : 157,289
Genre: Education
Date of upload: Feb 28, 2018 ^^
Rating : 4.968 (57/7,061 LTDR)
RYD date created : 2022-03-02T02:58:31.878792Z
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Top Comments of this video!! :3
2 characters: A teen and her dog
Argument: whether or not to go
Literal feelings: The teen wants . . . The dog wants . . .
Imply:
Lisa has tried everything. Yet insists that Tico come with her.
"Here boy, here boy!" Her voice can't get any higher, can't be any sillier. Still, Tico lays his 50 pounds of fur and dilapidated muscle on his favorite side of the couch, warming it with his unmoving, unflinching belly full of bumps.
Lisa, a little more exasperated, jumps up and down like she used to when they were ten years younger, waving her hands over her head. This only tires the dog, as he groans, reminded of something. Then, painfully, the whites of his eyes, cloudy and opaque, follow Lisa as she steps up to him.
"Look what I have, Tico, your favorite toy . . ." This might have worked last week, but no way she would get him this time, say those cloudy eyes, which in their thickness start to tear. True, he is old and sick, but not dumb. The toy jingles, glimmers, stops. Lisa doesn't know what to do. The first time the dog simply heaved up to follow her to the door when she had brought out the walking leash. The second week that didn't work, until she brought out the toy with peanut butter inside. Now, this week no toy, no leash, no nothing can make him go back to that place full of artificial daylight and needles. No way.
There are tears in the girl's eyes now, glossy and translucent, so full of life, blossoming. "He won't be a pup forever," she remembers hearing. She never thought it would end like this.
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Wow! As an aspiring voice actor, I clicked on this video because I was simply curious about what subtext is and how I can use it to improve my voice acting. Amd now all I can say is wow-- I'm truly humbled and inspired by your insight on this topic and the excellence of your presentation -- Thank you! I will be checking out your other videos
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One of my favorite example of subtext must be The Count of Monte-Cristo. Yes, the whole book! (...okay maybe not, but most of it. ^^) Since the main character is supposed to be dead and try to get revenge on those who ruined him, every interactions he has with them are full of many layers of subtext, I love it!
Great video! Now I just want to go back to every dialogue I ever wrote and scrap half of it off to make it into subtext. Which is probably needed...
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Reading The Old Man and the Sea by Hemingway years and years ago changed me. His minimalist style called to me as I think no writing ever has, and I've been steering toward that ice-berg ever since. I strive for elegance in my writing, for saying the most with the least. Having a deep understanding of the context of what I write, of the characters and the world and the situations, lends to being able to write less. Each word can carry more weight. Each punctuation mark and each paragraph break can speak volumes on their own--formatting can't even escape bearing value. The challenge of pursuing that ice-berg is one of the few things this depressed and anxious writer finds joy in.
Love your videos, and I'm glad I get to revisit them now that I have wireless earbuds. :)
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@QuotidianWriter
3 years ago
Hi there, viewers! You can read an adapted text version of this video on Medium. medium.com/@quotidianwriter/writing-subtext-in-dia…
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