Views : 10,197
Genre: Music
Date of upload: Feb 28, 2024 ^^
Rating : 4.989 (1/365 LTDR)
RYD date created : 2024-03-06T20:05:06.892126Z
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Top Comments of this video!! :3
I appreciate the depth of the music discussions, particularly when we dissect how songs are created or structured. However, what I enjoy the most is experiencing live reactions to the music.
Think of it like watching an NBA game; the commentators analyze the action on the court, break down noteworthy moments, and engage in lively discussion.
Now, imagine applying this approach to listening to an album. We'll listen to the music together in real-time, allowing for commentary, analysis, and occasional breaks to reflect on what we've heard. We can revisit specific parts of songs or the entire album for a more detailed breakdown or play-by-play analysis.
I believe this interactive approach could offer a dynamic way to explore and document music.
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when I go to hip hop journalist I want updates. I realized sometimes when I don't watch certain people I get the same reports on the same thing. It'll feel like I'm watching YouTube reaction videos without the video being reacted to.
I want a non partial update, and maybe how the person analyzes it. What they feel it means I do want as part of it but after the facts are shared. That's on current events, business dealings, and most importantly which I feel is missed often music.
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I miss the publication days of looking through magazines, I really wish there was a push to revive that feeling, it does not have to be current stories because social media gets you that within seconds but maybe album reviews of new music but look backs to old albums , interviews etc. Also by people that do it for the love of the culture not for click bait.
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What I want from Rap Journalism is album reviews - there's too much of music out here can't listen to everything but Journalist ears and the hand that writes has a way of highlighting the music that worth listening to and they also shine the light up and coming talent . Pitchfork is doing quite a job with that but they ain't consistent and they trip when it comes to Rap . Rap Life Review is also doing the quite a job too . ❤
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Of course it is dead because TikTok and clout chasers ruined the good quality of music. And because you just have a bunch of copycat clones that don't make any memorable music or impactful or legacy. It's just the same watered down trap Bangers that everyone else already does, so it's annoying and overblown. over saturated to the point where it just lost its value.
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The journalists I read the most are probably read the most are Andre Gee and Taylor Crumpton, but the ones I watch/listen to are yall, Popcast on New York Times, Jinx and Speedy. As far as what I want from it, I want rap journalists to do more of the music discovery stuff. I would rather have a journalist tell me about a new artist than a streaming service.
Also, Rap Life Review Live? Please come to NYU. I'm a graduate journalism student there. We'd really like to have yall.
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24:31 no lie “Back That a** up” will go down as one of the greatest fasho 💯💯
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@Its_Keo
2 months ago
What I love about rap life review are the deep album critiques you give every week, the chemistry between the 4 of you guys, and the overall professionalism you guys show as rap journalists. You guys truly care about the music and have a real passion for this genre that I love and it shows. I hope rap life review keeps going for as long as it can cuz I love tuning in every week. Please keep doing what you're doing 💯
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