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157,668 Views • Dec 26, 2022 • Click to toggle off description
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Views : 157,668
Genre: Music
Date of upload: Dec 26, 2022 ^^
Rating : 4.925 (198/10,318 LTDR)
RYD date created : 2024-04-27T20:48:25.511093Z
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YouTube Comments - 682 Comments
Top Comments of this video!! :3
Thanks to a much older brother, I have listened to this music for 65 years and Nahre Sol is an absolute genus. Her videos are utterly revelatory. I am so grateful to your presence on youtube.
419 |
Your channel is like music appreciation for musicians. Thank you Nahre.
234 |
I would have to agree with @Eric Gross. She is a genius. I've learned more from her videos and garnered a deeper understanding of musical style, history and theory than all my college courses. I've taught music for 28 years now. Thanks, Nahre Sol, and keep up the good work.
77 |
The description of Bach''s style at 8:01 is one of the most interesting insights in music I have ever heard.
22 |
I would love for you to do a video going over the music of Camille Saint-Seans. His piano works especially, mazurkas, waltzs, op 72 etc, it's all incredibly complex and scattered, yet very simple ingredients how you describe, and it comes together like a Michelin star meal!
128 |
I’ve literally had composition lessons going over these exact topics. Your ability to combine performance techniques with composition techniques is truly brilliant and would revolutionize music schools.
12 |
So nice! I like how you point out that any little change to a great piece will likely just kinda ruin it. I feel like composing your best piece is like building a house of cards. Care and delicacy for the emotional story 💯 or it’ll collapse to a flat stack.
97 |
You are articulating the gestalt of a musical piece. The very fact of our humanity, and hence our unique nervous system, lends attack, hesitation, and strength changes, as well as an interpretive signature to whatever we play. This is the reason I have intolerance for music that has “fixed” all of the “mistakes” in pitch and time. Happy holidays, Nahre ❤🙏
22 |
I have often felt that great music and great literature are the same, in how they are intricately build worlds subject to an endless exploration. A great story always feels right; you don't feel like changing a single word, let alone a scene. Your analysis reminded me of that idea. Thanks for the great work as always Ms. Sol. Looking forward to more insights like these.
13 |
This makes me think that there is less of a gulf between us improvisors and composers overall! I had always thought that composing was more of an intentional matter of taking theoretical elements of music and using them to "paint a picture" with a known palette of theory and technique. It seems that the idea of "just letting it flow" applies to both!
35 |
Exactly right Ms Sol. All compositional decisions need to be guided by a very clear emotional intention directing the musical storytelling and every detail of rhythm, melody, harmony, texture, colour etc. Without emotional clarity there can be no musical clarity or consistency in either composition or interpretation. Musicians young and old need to hear this every day! Thank you for your wonderful work. I love your pianistic skills and the workings of your creative and analytical musical mind.
6 |
You have crystalized a very important point that most musicians recognize but had no words. Beautiful efficiency.
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Yes, please! I would love for you to explore this topic deeper! I agree with you on the importance of conveying a particular emotion with music. It's a tricky thing to explain, so I think these types of videos are SUPER valuable
5 |
Dear Nahre, I am so grateful for you! ☺ You have a gift for conveying knowledge in a wonderfully warm and appealing manner. I am a professional pianist and, without fail, learn from your presentations; yet, they are just as accessible and enjoyable to amateur music lovers, young and old, of all levels. Kudos! Keep up the fine work! 👍
8 |
Awesome, thank you! Here are my takeaways:
• Having EMOTIONS as a PRIMARY FOCUS
• Paying ATTENTION TO how each technical DETAIL can AFFECT these emotions
• Not hesitating to USE BASIC ELEMENTS (with purpose, these basic elements will convey unique emotions).
Those are great reminders, especially when we lose track of them due to a lack of inspiration.
5 |
I love this channel! I'm not that much of a musician but I do love the piano, and you breaking down the complexity of learning about the technical aspects of music is so interesting and captures my short attention span unlike any book of lecture would do. Thank you so much! I actually think I'm learning something! You're awesome!
4 |
In theatre dance we talk about "finding the breath" of a choreography. It's pretty much the same concept. And you can hyperhanalyse it into constituent parts (accents, dynamics, single notes/movements etc) or keep the focus on the general intention, but breath (influencing both your psychological and physical states) ties it all together. However, more than one kind of breath might work for a piece (see Bernstein on Gould's interpretation, and yet it moves).
As an offshoot, towards another musical world, but from this perspective, check out how Victor Wooten talks about music.
11 |
I totally agree with the others calling Nahre Sol a genius! The feeling that is created by certain works of music by certain composers is a familiar but abstract concept, which she's somehow articulated in a concrete way that makes so much sense. I've been watching her videos for years now and I have to say that this is my favourite channel on Youtube :)
6 |
This is such a valuable video Nahre. It just got better with every section. Bravo!!🎉👏
3 |
@sebastianchand8392
1 year ago
i had a very good composing teacher who said that making great sounding music wasnt as hard as one may think. creating great sounding passages as those illustrated here is not as challenging as finding the right place for them. so its not about how the music sounds but rather about the narrative, the form of the whole. what all great composers had in common was their ability to put the structure of the piece to the service of the music
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