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Assessment of a Bluthner style 10 grand piano 231cm with a replacement action cf. Patent action.
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968 Views • May 9, 2024 • Click to toggle off description
Bluthner grand pianos made up to 1925 normally have their unique "Patent" action. These work perfectly and there is no need to replace them unless you need rapid repetition.

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Views : 968
Genre: Education
Date of upload: May 9, 2024 ^^


Rating : 5 (0/44 LTDR)
RYD date created : 2024-05-13T20:39:18.846051Z
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YouTube Comments - 9 Comments

Top Comments of this video!! :3

@cliveparaschis

1 week ago

Gorgeous bass

1 |

@edwardhurst4069

1 week ago

All your videos are excellent - very much appreciated. I rescue the occasional piano from certain death and currently have a 1901 7’ Aliquot Bluthner in hand. 🙂🍃

2 |

@p1anosteve

1 week ago

Very beautiful and desirable piano if you have the space. The casework imperfections are not at all much of a concern and i'm sure can be improved. More important is the restoration and restringing bringing it too first class tone and action performance.

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@hakanlindroos6277

1 week ago

My favorite grand piano😍, except for the mondernizations!

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@unequally-tempered

1 week ago

The Bluthner does looks as though it's trying to be a tiger . . . The Rosewood one looks like a Broadwood. Being of similar size to a Steinway Model C or Bechstein Model III this should be very interesting and having had the action changed clearly the instrument was intended to compete on that level. Abel hammers - hooray! Should be luscious. The efficacy of the 4 string system really depends on how the aliquots are tuned but there's debate in the tuning world as to how very exact unisons should be tuned and the fashion is for ultra-exact unisons. This is admired by techs but I believe makes the instrument sound dead and musicians often like a bit of "life" in the unisons. Bechsteins often had strings in the treble that want to be false, and the challenge is getting them together and in view of the famous Wigmore Bechstein with the logarithmic bridge pins, I suspect that Bechstein were aiming for some vibrato, and likewise Bluthner might not have been aiming for resonance but for vibrato and thus "life" to the sound. And these instruments are alive. Nice playing in particular on this video.

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@MCHEATH

1 week ago

Properly set up rapid repetition should not be a problem.

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@beethovensg

1 week ago

Why, in G-d's name, would you look at case work first, if you are a serious artist? Oh, you're not.

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