Views : 41,334
Genre: Music
Date of upload: Feb 15, 2022 ^^
Rating : 4.927 (37/1,990 LTDR)
RYD date created : 2022-02-18T23:59:32.652862Z
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Top Comments of this video!! :3
My theory is 2nd and 3rd notes in a key are minors and the 4th and 5th would be the resolve which is the last chord of the progression. So for a key of D major, i would always start at D then pick any note for 2nd and 3rd chords and end on either G or A. Some examples are D-Em-F#m-A, D-C#-Em-G,D-Em-F#m-G. The combos are endless as long you follow the theory.
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Just a quick thought. At 7:15 the riff he plays is not in D Aeolian, or the natural minor scale (which is what most people think of when they š¤ "minor scale"), but in E Phrygian. To put it simpler, we clearly hear that the riff "revolves" around, or hinges so to say, on the note E, which is the 2nd fret, and not around the open D. This is often a source of confusion when riffs and melodies sometimes just don't seem to fit, even though thy both supposedly utilize the same minor scale. It is true that both use the same exact sequence of notes 0-2-3-5-7-8-10-12-14-15-etc., but they have their "home", also known as root, on different frets: fret 0 /open string for D minor (aka Aeolian), fret 2 for E Phrygian, fret 3 for G major (aka Ionian), and so on and so forth. Drop tunings really help us see such enigmatic concepts as The 7 Modes of Guitar in a different light :
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@doctoribanez
2 years ago
I just start with 0000000000000 then add a few others lol. I dig your riff man.
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