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Max Roach Quartet & Abbey Lincoln, BRT TV Studio, Schaarbeek, Belgium, January 10, 1964 (Colorized)
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325,449 Views • Oct 3, 2022 • Click to toggle off description
Presentation Jan Gheysen 00:00

We Insist! Freedom Now Suite:
Intro 2:30
Driva Man 4:50
Triptych (Prayer/Protest/ Peace) 9:58
All Africa 19:09
Freedom Day 25:27



Lineup:
Max Roach : drums
Abbey Lincoln : vocals
Clifford Jordan : tenor saxophone
Coleridge Perkinson : piano
Eddie Khan : bass
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Views : 325,449
Genre: People & Blogs
Date of upload: Oct 3, 2022 ^^


Rating : 4.875 (253/7,812 LTDR)
RYD date created : 2024-05-13T18:02:32.58027Z
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YouTube Comments - 321 Comments

Top Comments of this video!! :3

@RonCarterBassist

1 year ago

👍🏾👍🏾

208 |

@howardrussell3919

6 months ago

My Mother took me and my sister to see Max Roach and Abby Lincoln at a place called The Aqua Lounge on 52nd street in West Philly in the 60's. Me and my sister were like WHAAAAT...! I've never forgotten that show. Thanks Mom....!

106 |

@rozchristopherson648

1 month ago

I'm 63. I remember Abbey Lincoln. She was wonderful. So talented and naturally beautiful. She also acted. RIP. 🧡🙏

33 |

@danielcombs3207

1 day ago

What a great band love the performance and Abbey Lincoln’s vocals.. That drum set is absolutely beautiful!

1 |

@phrayzar

3 months ago

I feel very privileged to be able to step back in time with this powerful performance. It's heavy.

37 |

@user-ke8if6ri9r

4 months ago

I have my Dad's jazz record collection. My Mom saved the collection when they divorced. Max Roach,John Coltrane,Stan Getz,Shelly Mann,etc...

20 |

@MrMusicbyMartin

1 month ago

Superb music played by people with style and class.

19 |

@beeshor1

5 months ago

Clifford Jordan never plays a wrong note or a misplaced phrase. He is far too underrated in the history of great tenors among rank and file jazz folks.

75 |

@seattlebeard

2 months ago

Max Roach is TIGHT!!! :face-orange-frowning:❤:volcano-green-lava-orange:❤:face-green-smiling:

9 |

@Themainmel

1 month ago

I knew she was an OG in the industry when I was introduced to her as a kid in Mo' Better Blues. I assumed she was an actress like Ruby Dee and Leslie Uggams. This is my first time seeing her perform. Very nice!

11 |

@timcharles5476

6 months ago

Max Roach demonstrates why he was regarded as the drummer par excellence in modern jazz. Playing with him must be the equivalent of riding in a Rolls Royce.

54 |

@wevegraysquaw7855

2 days ago

wow clifford jordans tone and language was elite. love the aound/tones ... 10/10

1 |

@TraceTaylor

1 month ago

Thank you for uploading this to YouTube 🧡❣️🎼🙏🏼

13 |

@user-qu1jh8xj3o

1 week ago

❤❤❤❤❤❤❤❤❤❤❤❤❤from South of France

1 |

@bucketofbarnacles

6 months ago

This is extraordinary. Abbey Lincoln was a force of nature, an expression of the beauty and wonder of the universe.

49 |

@n.e.p.eugeniel2665

1 year ago

Abby Abby Abby... What a LOVELY surprise you are..... inside and out..Such Spirit!

46 |

@Sunra77

4 months ago

I wish I could get my younger brothers n sisters in to this kind of music. This is the REAL TRAP MUSIC !!! We are some powerful 9 ether beings , most of us have no idea !!!!

11 |

@user-lo2fx6kn1j

5 days ago

当時としては独創的、前衛的な作品だったのではないのですか。 FREEDOM NOW、、、その意図が伝わってくる演奏です。 JAZZの世界を超えている。さぞ、評判になったことでしょう。 貴重な映像をありがとう。

1 |

@user-ok5hh7lg2x

3 months ago

AMAZING JAZZ HISTORICAL FOOTAGE Abbey Lincoln with the Max Roach Quartet, January, 1964 in Belgium for a Studio performance; this remarkable session now a treasure display of where jazz DIDN’T go, and perhaps couldn’t have gone. Herein presented: jazz as experimentation, minimalism, atonality, ‘tribal-musicality’ undertones combined with a almost purist disassociation (negation) of the musicological (reportorial) legacies of Ella Fitzgerald/Sarah Vaughan Shirley Basse + The Bebop Legacy; Roach’s quartet fronted by Lincoln questioning the standard jazz lines (1940 to 1960ish) of combinatory complexity, harmonic riffing, and reflex hyper-emotionalism, replaced with baser, non-baroque effusions, repetition, atonal inflections TO CALL OUT ‘standardized jazz’ with their authenticating intellectual choices and NOT subjective emotional reservoirs… THIS TV MINI CONCERT really give the 21st listener-viewer a great overview of the early 1960s experimental jazz concepts WHICH IN THE MAIN were not (in aggregate) adopted. The reason was a combination of excessive experimentation (blanking of the melody-structures) AND most traces of ANY commercial viability was seen to be cancelled out - unnecessarily so - by excessive bridges of minimalism or numbing beat repetitions. Have a listen for yourself.

18 |

@IanCampbell777

2 months ago

A life-changing experience!

8 |

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