ImmersiveAmbientModecolor: #dcd9d9 (color 2)
Video Format : 22 (720p) openh264 ( https://github.com/cisco/openh264) mp4a.40.2 | 44100Hz
Audio Format: ALAC lossless (https://github.com/macosforge/alac)
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Date : 1716129147997 - unknown on Apple WebKit
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173,362 Views âą Feb 15, 2024 âą Click to toggle off description
Merch! - audiohaze-shop.fourthwall.com/
Submit a demo on the website: www.audiohaze.co/
Watch the standalone performance:    âąÂ Comfort Zone - Taylor Crawford (NPR T... Â
Men I Trust Video:    âąÂ How to Sound Like "Men I Trust" in Yo... Â
Performers Instagrams:
Taylor Crawford (Vocals, writer) - @taylorjohncrawford
Michael Hojnacki (Drums) - @mhoj_music
Mr. Kindness (Bass) - @mrkindness_
Owynn (Keys) - @owynnmusic
Additional Crew:
Lora Mouna (Camera) - @loramouna
Ethan Toga (Assistant Production) - @ethan.toga
My Instagram - @realaudiohaze
Drum Microphones:
KICK:
Original Mic - amzn.to/3SDXVKs
AKG D112 (Alt Mic) - amzn.to/42JeJVc
Shure Beta 52 (Alt Mic) - amzn.to/49saDTC
Snare:
Original Mic - amzn.to/49kktXN
Rode M5 (Alt Mic) - amzn.to/3SZB8Ks
Lewitt 140 Air (Alt Mic) - amzn.to/3woSR54
Overhead:
Original Mic - amzn.to/3uy0hCI
Lauten LA-220 (Alt Mic) - amzn.to/3wg3abH
Lewitt 240 (Alt Mic) - amzn.to/42JeZUa
Neat King Bee II (Alt Mic) - amzn.to/42CFjiB
Guitar Mic:
Shure SM57 - amzn.to/49zUIm5
Room Microphones:
Lauten Clarion (Original Mic) - amzn.to/3UBvaRi
Lewitt LCT 640 TS (Original Mic) - amzn.to/3w9NkiL
Aston Spirit (Alt Mic) - amzn.to/3wi3uqF
Lewitt 440 Flex (Alt Mic) - amzn.to/3wi3ruZ
AKG P420 (Alt Mic) - amzn.to/3T05pb5
Figure 8 M/S Microphone:
Austrian Audio OC818 (Original Mic) - amzn.to/48ieW2s
Lewitt 440 Flex (Alt Mic) - amzn.to/3wi3ruZ
AKG P420 (Alt Mic) - amzn.to/3T05pb5
Vocal Shotgun Mic:
AKG C568B (this is a pretty obscure mic, use whatever shotgun you can get your hands on) - reverb.com/marketplace?query=AKG%20c568b
-------------------------------------------
My Studio Rig: amzn.to/46ridMo
My Camera Rig: amzn.to/48DPQNg
(Please note these rankings represent my subjective tastes. These lists would change with different applications, so this is a bit of an oversimplification.)
TOP THREE BUDGET CONDENSERS:
đ„Lewitt 440 Pure - amzn.to/3imNwRh
đ„Neat King Bee II - amzn.to/3JOYATU
đ„Rode NT1 - amzn.to/2NUoBJK
TOP THREE BUDGET DYNAMICS:
đ„Shure SM57 - amzn.to/2P1pUXC
đ„Behringer XM8500 - amzn.to/3utvKmp
đ„Shure MV7 - amzn.to/3BfewuF
TOP THREE CONDENSERS
đ„Austrian Audio OC818 - imp.i114863.net/qnGXBO
đ„Lauten Clarion - amzn.to/3EkXpdQ
đ„AKG C414 XLS - amzn.to/3lMAgXq
đ„Soyuz Bomblet - amzn.to/3YLjr1E
Honorable Mention: Roswell Pro Audio Mini k67x - amzn.to/3BeT9Mt
TOP THREE DYNAMICS:
đ„ElectroVoice RE20 - amzn.to/2UFdyaM
đ„Shure SM57 - amzn.to/2P1pUXC
đ„Sennheiser MD 441 - amzn.to/3S6st6b
TOP yOu CaN'T pUT mE iN a bOx MIC:
đLauten LS-208 - amzn.to/40u0guB
Views : 173,362
Genre: Music
Date of upload: Feb 15, 2024 ^^
Rating : 4.976 (64/10,818 LTDR)
RYD date created : 2024-05-19T03:30:10.075875Z
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YouTube Comments - 512 Comments
Top Comments of this video!! :3
Tiny Desk is the Unplugged of the 21st century. I love it so much. Thanks for this!
876 |
this is probably the best audio production channel on youtube at this point
390 |
If I remember correctly the guy in charge of Tiny Desks recordings did an AMA on Reddit with a list of equipment.
253 |
I don't perform live or play well, or even really use mics, mostly a daw based electronic artist, but 'Emotional mixing decisions' is a fantastic concept that's going in the toolkit.
87 |
Some good observations here. I was present when Josh Rogosin gave a talk at the Audio Engineering Society convention in NYC last fall. One thing I walked away with was how active he was being in managing the bleed from all those microphones. While Josh may use a lot of instrument spots when recording a large ensemble, when he showed his DAW session on the screen, it was clear that the majority of those mics were muted most of the time. Spot mics were unmuted only at specific points in the song where they were needed to highlight something. When unmuted, they were often heavily EQ'd to add only exactly what was needed to the mix and to keep unwanted bleed under control. Josh usually has some kind of ambience feed available -- sometimes just a more distant stereo mic -- but he doesn't use it continually in the mix. It might be faded up in the spaces (another production nod to field reporting) or used for a more distant perspective on a horn section, but it's not the sole source of ambience in the final mix. There are always those stereo mics, but Josh is also not afraid to use artificial reverb plug ins. The end result FEELS like intimate live capture, but what's really going on here is storytelling and, in service of that story, no post-production trick is off the table.
84 |
I run a small recording studio on my college's campus out of an old radio station's building, and I've been looking for how to up my "live recording" vibe for a couple of months now as work has picked up. I can't even begin to say how valuable the past 20 minutes I just spent watching this video will be to me moving forward. I'm already itching to try so much of this out.
31 |
Unbelievable recreation. Sounds exactly like the NPR Edition. Amazing performances too..
Weâve been working with Ricky for the last few months on our debut EP. Heâs been amazing to work with and his attention to detail is second to none.. send him those demos, you wonât regret itđ
63 |
I love tiny desk, and this channel. I would have never thought to break down the tiny desk production but this is fantastic. Reminds me of all the reasons I love folk and jazz recordings where all the people are in the room together with out headphones and theyâre listening to each other and having a musical conversation.
32 |
You should totally do king krule !
40 |
in a few minutes I know this is a high quality, well written, well researched and additionally amazing visual aide. Props to everyone who worked on this video. Followed this channel back in the microphone comparison videos, and great to see more of docu-esque type videos now. This channel needs more recognition!
57 |
For a tiny desk, the sound quality is amazing. Tpains tiny desk concert is such an example.
11 |
yes yes yes. Knocking it out of the park. Practical, informative, illustrative and lessons learnt. These must take an age to put together - but I'm sure I speak for many when I say, I'd much rather you continued this course than go down the clickbait "my top 5 EQs", "I've hade enough" titles. thank you.
18 |
If you guys haven't heard of the Technical Director Josh Rogosin and his approach to Tiny Desk, definitely check out this article! www.npr.org/sections/allsongs/2020/04/02/825152850âŠ
24 |
WHOA...nailed it! This sounds so great. Nice work taming the drums in the mid/side vocal mic input, too.
25 |
yes so psyched for this
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I find it largely depends on the performers positioning. Radio sessions where everyone is standing in the round facing each other I find less use for MS, especially if itâs being filmed as they wonât have a consistent âviewer aspectâ kind of like crossing the line in an interview. TinyDesk style where the lead artist is at the front facing the crowd with the rest of the band generally behind them that MS can really shine and gives you a really nice guide to where the spot mics need to be panned. A Goniometer meter really helps with setting up MS and lets you see when thereâs excess bass on one side of fig8 element, which isnât always immediately audible monitoring during setup or tracking.
If I ended up in a really small studio I would often try to open up the door to the gallery or corridor. Anything to increase air volume.
Really enjoy the channel, great work.
4 |
love your videos! pure knowledge â€
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Malcolm's tiny desk performance makes me so sad and happy, he's gone but his music lives on. I'll raise my kids listening to Mac Miller. It's so genuine, he laughs and jokes but you can tell he's nervous, and the chemistry between Thundetcat and Malcolm, not just musically, warms your heart. rip Malcom McCormick, hug your loved ones
3 |
What a killer pianist
4 |
@tinybobboilen
3 months ago
Hi, Bob Boilen here. I'm the creator of Tiny Desk concerts. I love what you did here and appreciate your appreciation of the Tiny Desk sound. I wonât go into details on what you came up with other than to say you did a great job. You should see a Tiny Desk concert sometime. Given all you did here, youâd appreciate it immensely. The one thing I would critique that is vital to the Tiny Desk and an important part of my philosophy for these concerts is this: no headphones or monitors. The singer sings in the room without any amplification. Since there are also no monitors, everyone has to play at a volume that allows them to hear the singer and also every other instrument. So, in essence, the band is âself-mixing.â That makes the performance unique, as well as the recording techniques.
4.9K |