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Ricochet (2018 Remaster)
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333,668 Views • Aug 15, 2019 • Click to toggle off description
Provided to YouTube by Parlophone UK

Ricochet (2018 Remaster) · David Bowie

Let's Dance

℗ 1983, 2018 Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd, a Warner Music Group Company

Engineer, Mixer: Bob Clearmountain
Bass: Carmine Rojas
Unknown: Dave Greenberg
Horns Arranger: David Bowie
Mixer: David Bowie
Producer: David Bowie
Vocals: David Bowie
Backing Vocals: David Spinner
Backing Vocals: Frank Simms
Backing Vocals: George Simms
Trumpet: Mac Gollehon
Horns Arranger: Nile Rodgers
Unknown: Nile Rodgers
Guitar: Nile Rodgers
Mixer: Nile Rodgers
Producer: Nile Rodgers
Drums: Omar Hakim
Remastering Engineer: Ray Staff
Keyboards: Rob Sabino
Flute: Robert Arron
Tenor Vocals: Robert Arron
Percussion: Sammy Figueroa
Flute: Stan Harrison
Tenor Vocals: Stan Harrison
Flute: Steve Elson
Baritone Vocals: Steve Elson
Lead Guitar: Stevie Ray Vaughan
Drums: Tony Thompson
Writer: David Bowie

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Metadata And Engagement

Views : 333,668
Genre: Music
Date of upload: Aug 15, 2019 ^^


Rating : 4.804 (164/3,183 LTDR)
RYD date created : 2022-03-10T15:18:39.24317Z
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YouTube Comments - 54 Comments

Top Comments of this video!! :3

@larsdybvad4789

1 year ago

Ricochet is absolutely my favorite song on this album. The recording arrangement. The production. The best thing l know David Bowie ever did in songs. This reminds me of The Beatles and of Pink Floyd, with Syd Barrett. Some of the purest genius in art pop music ever.💜

21 |

@jamesstevens2362

4 years ago

Everything about this song is unique: the beat, the arrangement... the opening/chorus melody was etched into my mind the first time I heard it. Even after 36 years there is no other song that sounds even remotely like it. Hearing this remastered version is wonderful! Thank you!

61 |

@JBinOtown

6 months ago

Boy does this album get unfairly criticized. It is a deep dense experience. This track especially

7 |

@christhomas835

1 month ago

This kicks my ass for 40 yrs now...

1 |

@murphle

3 years ago

I always play this when it starts to rain

23 |

@ITSFULLOFSTARS1

4 years ago

I am a DJ....and I play this song all the time...The crowd loves it....Reggae Jam!

28 |

@davidfarrimond8891

8 months ago

Always my favourite song from the album.

3 |

@josbar2835

3 years ago

My father (past tense) was both a poet and an English Professor and I learned to appreciate songs with lyrics that could stand apart from the music as worthy poems/stories. Ricochet has always captured my attention because of the image it paints. Bowie was definitely telling a story with this song, but I am not certain what it is. My latest guess is that this song refers to the Holocaust victims: "Like weeds on a rock face waiting for the scythe": These people are in a dismal, stagnant environment and the only escape is death, which seems inevitable. "Men wait for news while thousands are still asleep, dreaming of tram lines, factories, pieces of machinery, mine shafts, things like that.": These people are hoping to hear when the situation will change, when they might be rescued, while their sleep is filled with nightmares about their current situation. "March of Flowers, March of Dimes (charities), these are the prisons, these are the crimes.": There have been calls for people to help save the Russian Jews, whose only "crime" was being born Jewish. They are kept in concentration camps, which are indeed prisons. "Early, before the Sun, they struggle off to the gates. In their secret, fearful places, they see their lives unraveling before them" Are they made to get up and engage in labor that is inhumane, to the point where they ask how much longer they can survive? "Turn the holy pictures so they face the wall." Are the Jewish families having to hide any religious images in their homes to avoid further repercussions? "Sound of thunder, sound of gold, sound of the devil breaking parole, Ricochet, it's not the end of the world." Are these references to actual war, or people being shot; the secret gold bars possessed by the Nazi captors? Was "the devil breaking parole" a reference to Hitler's war crimes? And with World War II going on, his reign surely could not last forever (it's not the end of the world). "but when they get home, damp-eyed and weary, they smile and clutch their children to their eager breast, making unfulfillable promises, for who can bear to be forgotten?" Imagine what the captive parents would tell their children every night to keep their hopes up? Anything they could think of. And of course the children would never forget their parents (for who can bear to be forgotten). There is also a famous quote:"Those who forget history are destined to repeat it." We never want this to happen ever again. What a hauntingly, touching image Bowie paints. This is my interpretation of Ricochet. Does anyone else care to weigh in? I appreciate any feedback.

18 |

@MPHORROCKS

3 years ago

I love this song and don't think it's ungainly. Nice syncopated beat and quite different to the other songs on the album. I think Nile Rogers did a great job making it fit in with the rest. Great horns at the end!

11 |

@Craig-ur6wj

2 weeks ago

Bowie brilliance. Think it's my ba bars song. Love him

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@wayneburns6053

4 years ago

The art of cool.

7 |

@cristiangdc618

4 years ago

Bowie discussed his feelings on the track "Ricochet": I thought it was a great song, and the beat wasn't quite right. It didn't roll the way it should have, the syncopation was wrong. It had an ungainly gait; it should have flowed. ... Nile [Rodgers] did his own thing to it, but it wasn't quite what I'd had in mind when I wrote the thing.

43 |

@Mrbrbusby

11 months ago

Under the Unconquerable Banner of Bowie #1983 #SeriousMoonlight 🇬

1 |

@jean-lucguillaume6112

3 months ago

J'ai vu Bowie, maintenant je suis élégant et absent 🤗

|

@J.A.Hansen

1 year ago

Phantastic

1 |

@jpntechnostream505

3 years ago

00:33 ちゃんと放れピッチャー

4 |

@hamandhansi4721

4 months ago

Bowie tous les styles et tous les genres!!!

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