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MJ’s Thriller Minimoog Marimba (Synth Breakdown)
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29,588 Views • Premiered Apr 19, 2024 • Click to toggle off description
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ABOUT THIS VIDEO

This video makes a very important point about what you need to consider when you want to make a "great" sound. The Minimoog Marimba sound occurs during the Outro of "Thriller" which is loaded with complex sounds that are both melodic, sustaining and building. The song at this point hardly needs another element. You'll notice that I chose to make a very simple and relatively thin sound. It establishes some personality from its percussive and resonance aspects but most of its value comes from the rhythm and performance of the part. I'm telling you this because when you want to make a great sound the most important questions to ask are "Who, What, When Where and How". Who is playing it (a person or MIDI), what is happening at the same time (orchestration), When does it enter (what part of the beat), Where does it happen in the dramatic flow and How will the listener be affected by it? After thinking about the answers to these questions I realized that a great sound here needed to be very simple and not too thick. When you hear the Minimoog marimba in the context of the song you'll notice that it stays out of the way of the other sounds frequencies. Every sound is a puzzle piece that needs to fit with the other pieces. This is the process I follow when making any sound!


00:00 Thriller re-creation music
00:24 Intro
01:05 Marimba Playing technique description
01:51 Thriller re-creation video with Greg Phillinganes Technique preview
03:17 How to create the Thriller Outro Marimba on Minimoog
03:54 The Oscillators
04:54 The Mixer
05:17 The Filter
06:05 The Resonance Effect
06:33 The Envelopes
07:44 Re-cap the Envelopes
08:17 Modulation and Keyboard Control Voltage
08:54 Keyboard Technique
09:07 CTA
09:37 Sound Performance to Thriller Re-Creation Track



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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website - www.anthonymarinellimusic.com/
Wikipedia - en.wikipedia.org/wiki/Anthony_Marinelli
IMDb - www.imdb.me/anthonymarinelli
Metadata And Engagement

Views : 29,588
Genre: Music
Date of upload: Premiered Apr 19, 2024 ^^


Rating : 4.906 (36/1,496 LTDR)
RYD date created : 2024-05-18T02:48:54.189557Z
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YouTube Comments - 161 Comments

Top Comments of this video!! :3

@AnthonyAnthony-tk4ye

4 weeks ago

Haha! I’m glad you got a video clip in of Greg playing the “frog bass” part

37 |

@Gr8Success

4 weeks ago

its refreshing to watch professionals explain some of what involved in bringing such iconic sounds !

23 |

@MichaelScottGordon

4 weeks ago

Anthony, Your content has been great. I sense a genuine gentleness of spirit and your willingness to teach others is soooo appreciated. Too many are taking their "secrets" to the grave. Mentoring is important work - thank you! Thank you!

28 |

@markaprill6501

3 weeks ago

Greg is so right…it’s an inherent performance to the sound. This idea is what all great musicians are doing on every great performance.

4 |

@dyscotopia

4 weeks ago

A very good reminder that it's not having the craziest full featured gear, but something that knows how and can be tweaked how to sit in a mix, is more important. A basic synth with a good sound can fill all your needs if you're relying on musicality rather than crazy wavefolding, etc., tricks that will attract too much attention unless they're the lead, you can make a legendary track

9 |

@modalwonder

4 weeks ago

In a perfect world I would just hang out in the studio with you, Greg, Claudio and all the other synth geeks past and present and just sound design, jam and create all day. But, until then thank you for your gentle soul and sonic generosity. Love and greetings from Corpus Christi TX

6 |

@francoisdunord7169

4 weeks ago

i own a moog grandmother, so these video’s are very interesting to me, grtz from the netherlands 🇳🇱

8 |

@SynthgodXXX

4 weeks ago

That was awesome 👌

9 |

@AnthonyAnthony-tk4ye

4 weeks ago

More awesomeness from Anthony!

9 |

@EnglishPolishOnline

4 weeks ago

This is by far my absolute favourite moment of any song. Just this fragment, so thrilling.

2 |

@VarionJimmy

4 weeks ago

Amazing to see! Not sure if it’s just me but this particular MiniMoog sounds unusually good.

5 |

@danielkannan6246

4 weeks ago

Consummate Synth scientists at work & play… Michael J always said, “ Study the greats & become greater…” Here with Anthony & all the rest, we have this opportunity… if not to be greater, at least to study the greats … Much love always Anthony & team… 😍🕊️😍

3 |

@cottondrip3521

2 weeks ago

whenever i hear this sounds on youtube i feel amazed. its like so different to the recording its great!

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@silver7211

4 weeks ago

I love these type of videos. I use moog every time, I need solo instrument or noise fx sound.

3 |

@magicknight8412

3 weeks ago

Am loving all these breakdowns of the sounds from one of the most iconic songs of the 80s. So cool to see how they were made and done

1 |

@Nates80zCoverz

4 weeks ago

I made an instrumental cover of Thriller a couple years back and after seeing these videos on recreating the sounds from Thriller are sooo helpful not to mention really interesting and insightful. Recreating these sounds using Arturia’s VSTs are not quite the same but it’s a lot of fun exploring these iconic sounds. Thanks Anthony, I love these types of videos they are expertly made down to the last detail and it’s just awesome to hear these iconic tracks deconstructed 😎

2 |

@djtrakakadrunkpoet8598

2 weeks ago

I LOVE THIS CHANNEL . Who else better to talk about this than the man himself . Peace and love

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@moogfooger

4 weeks ago

The MiniMoog has the most amazing envelope/filter combo. Especially the percussive tones you are getting for this patch. Very well explained and easy to recreate. Everyone should have one of these wonderful instruments to play and experiment with. Thanks Anthony for all the great educational content and taking the time to explain and be so kind! Cheers

2 |

@GeorgCarlson

4 weeks ago

thanks for sharing your vast experience and skill so willingly. A rare and humble being you are

2 |

@duncanparsons

3 weeks ago

People say that gated snare or DX-7 piano are "the sound of the 80s", but the truth is - tuned percussion is the sound of the 80s. It's everywhere, across pretty much every genre and type of song, particularly marimba, real or synthetic. Rhythmic pads composed of these short tuned sounds are just all over the place until about 1987.. ..then the M1 appeared, and that was EVERYWHERE for the next 5 years!

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