Views : 167,147
Genre: Music
Date of upload: Mar 5, 2024 ^^
Rating : 4.916 (155/7,201 LTDR)
RYD date created : 2024-05-22T02:28:10.253718Z
See in json
Top Comments of this video!! :3
I hadn't yet been exposed to this type of analysis, thank you, this is awesome. I like how the chart shows how Dorian is symmetric about inversion, it follows that aeolian is mirrored mixolydian, and locrian is mirrored lydian. worth noting that this type of thinking (graphically on a scale representation) can be applied to the circle of fifths, where similar symmetries show up. Any major scale is a simple consecutive sequence of notes on the circle. In that system chromatic motion jumps across the circle, suspended chords are small groups & major/minor tonality can be seen graphically. The old trick of moving a major 7 chord up or down a major 3rd is a good example. What would be really cool is a way to look at this that incorporates multiple octave spread, like the fabled 7#9 Hendrix chord (which you most certainly can't play in any old inversion, say with the #9 in the bass). sorry for the long comment. too much coffee. shout out to logitech ergo trackballs.
14 |
Mind: Blown!
Also, the best mic drop ever at 17:23: "Any interval relationship that exist in a major key, if you flip it, it exists in phrygian", and proceeds to not give any further explanation.
Very cool visual explanation of these concepts. Thank you!
44 |
@djb903
2 months ago
Pitches be flippin
307 |