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A Sync Licensing Music Executive is Changing the Game - Jessica Vaughn
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5,447 Views • Premiered Aug 15, 2023 • Click to toggle off description
Putting out a release soon? Get my 26 Things to Do Before Releasing a Song or Album Checklist here: aristake.io/26-things-guide

Learn more about Jessica Vaughn:
Venice Music - www.venicemusic.co/
Head Bitch Music - www.headbitchmusic.com/

Jessica Vaughn is the Head of Sync at Venice Music, and President of Head Bitch Music. Jessica joined Venice in September of 2021, being chosen to build the department from the ground up. In this role, she runs their four-person, fully queer sync team globally, created all of their protocols (catalog management, pitching, legal, licensing, and administration), and has increased the size of their catalog from 300 titles to nearly 4,000 titles. During her time at Venice, Jessica has landed placements in Super Bowl LVII, NFL, ESPN, The CW, Netflix, Hulu, CBS, MTV, Vh1, BET, Disney+, Peacock, Fujifilm, Comcast, PBS, New Balance, Xbox, Fortnite, NBA 2K, and more, all within a year and a half. She is an ardent supporter of artists, and holds regular “office hours” at Venice to provide information and resources to all of her clients.

Based in Los Angeles, Jessica is not only an accomplished music industry executive, but an active and successful musician and songwriter in her own right. Before breaking into the business side of the industry in 2019, Jessica was signed to Crush Management at 16-years-old as an artist, and at 18 was signed to Sony/ATV and Geffen/Interscope as a recording artist in the same year, under the name, Charlotte Sometimes.

In 2018, she started Head Bitch Music, a loving tribute to the many times she was called a “bitch” by other men in the room, where she writes custom music for brands. Along with her husband Ryan, she runs the Head Bitch Music label imprint, putting out between 5 and 20 releases a week with mainly queer and women artists. She also continues to write music under more than 25 different monikers, each with their own identity and their own extension of her humanity, allowing her to not be cast in any single box.

05:19 - Welcome
06:19 - What is your current day-to-day?
20:01 - The process of getting a song synced
23:00 - Representing the master rights of artists
31:00 - The current state of the sync industry
35:15 - How does an artist find music supervisors who are open to working with artists direct?
45:42 - AI music and sync
51:00 - On music libraries

Subscribe to The New Music Business: aristake.com/nmb
Ari's Take Academy: aristakeacademy.com/
Watch more discussions like this: bit.ly/3LavMpa

Connect with Ari’s Take:

Website: aristake.com/
Instagram: www.instagram.com/aristake_
TikTok: www.tiktok.com/@aris.take
X: twitter.com/ArisTake
YouTube: youtube.com/user/aristake1

Connect with Ari Herstand:

Website: ariherstand.com/
Instagram: instagram.com/ariherstand
X: twitter.com/ariherstand
YouTube: youtube.com/ariherstand

Connect with Jessica Vaughn:

Website: www.headbitchmusic.com/
Instagram: www.instagram.com/headbtchmusic/
TikTok: www.tiktok.com/@venicemusic.co
X: twitter.com/headbtchmusic
Threads: www.threads.net/@headbtchmusic
LinkedIn: www.linkedin.com/in/jessica-charlotte-vaughn-8b329…

Edited and mixed by Mikey Evans
Music by Brassroots District
Produced by the team at Ari’s Take

#SyncLicensing #SyncAgency #MusicSupervision
Metadata And Engagement

Views : 5,447
Genre: Education
Date of upload: Premiered Aug 15, 2023 ^^


Rating : 4.968 (2/251 LTDR)
RYD date created : 2024-03-02T19:01:28.440883Z
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YouTube Comments - 36 Comments

Top Comments of this video!! :3

@Saigon888

9 months ago

Peace and blessings to you guys! I’m the Vice President of a Sync and Licensing company so this will be good! Thank you guys

9 |

@HeadBtchMusic

9 months ago

Thank you for having me!

6 |

@AYOTEERISED

2 months ago

Incredibly informative and extremely transparent!! Thank you both so much!❤

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@YassineKhalfalli

9 months ago

Thanks for hosting this Ari , this has been very insightful!

3 |

@PaulJoseph

7 months ago

Ari is truly blessed that his wife's ad campaign fell through, so that they don't have to share a similar karma as those who have blood on their hands.

3 |

@jewelthompson4210

2 months ago

This was such a great conversation. Love your content.

|

@EmpoweredIndieArtists

9 months ago

This was a great discussion! Thank you to both of you!

2 |

@joyti_jmg

9 months ago

This is very valuable information

2 |

@ArielElijah

9 months ago

Love this whole convo! Opening the door to a lot of new ideas for me. Thanks!

2 |

@dafingaz

8 months ago

So many gems!

2 |

@gloriaschaefer2435

8 months ago

Amazing content as always! Thank you both <3

2 |

@modernrecordingartist

6 months ago

Dang it's my two favourite people in the music business having a chat! Love it!

1 |

@divine.energy720

6 months ago

Great info! Been taking the steps I need, and researching the different libraries from your book!

1 |

@juliushaas_

3 months ago

Love your interviews, Ari. They helped me a ton in getting my foot in the door in music licensing - both literally and in a sense of understanding how this industry works. Thank you!

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@Dseanfingers

8 months ago

I have great songs production rec for sync thank you guys for this ave of info I needed to know

1 |

@jasenjohnaxelsen3090

5 months ago

You Rock Bro 🎉🎉🎉🎉🎉 5 star or space cone things straight up, Dont know who you are yet but this shows vibe has got me in antisapation and I even feel excited to find what your about to say🤞

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@RyanHamilton624

8 months ago

Custom = Work for hire or on Spec / on brief

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@mattlardieriartist

6 months ago

Awesome interview, thank you! I was wondering, if I release a song on DistroKid to various streaming platforms like Spotify, would that impact my ability to pitch the song for sync licensing? In other words, would that (the public release) impact whether the song could be used for sync? Thanks again.

1 |

@gretchenelisemusic

4 months ago

Thx for this! I’m drinking in ALL your vids on sync. Q: what’s the minimum # of releases an indie artist should have to be attractive to a sync agency?

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