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23,204 Views โข Apr 8, 2024 โข Click to toggle off description
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Views : 23,204
Genre: Music
Date of upload: Apr 8, 2024 ^^
Rating : 4.752 (56/847 LTDR)
RYD date created : 2024-05-14T15:37:42.832852Z
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YouTube Comments - 34 Comments
Top Comments of this video!! :3
Yes, very helpful and concise. I like this as it summarises all the experts' tips in one session.
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Super helpful, thank you ๐ท
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I love this video! Thanks a lot.
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This video is AMAZING! โค
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Thank you!
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Thank you very much ๐
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Each his own, but I prefer the left hand frame of Perlman, Ray Chen ect. All joints completely flexible, even the wrist and a raised thumb to counter balance the right side, finger side of the hand. My 4th finger is totally secure when I give with the wrist which is what Chen and Perlman also do.
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James Ehnes left hand is as precise as Heifetz's. Many thanks for the post.
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Random note, Christian Kim's Chaconne is insane and really impressive.
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Wow, amazing
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Superb stuff, thank you. My students will be grateful... eventually. Or else ๐ฎ
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May someone remind me of the name of the intro piece?
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Christian is the best ๐๐๐
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โคโคโค
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Ok. Itโs very clear the importance of the left hand frame, but how do you actually work towards that frame? None of them actually give any hints into how they got there or they would suggest. Also, who is this targeted for, adults who understand and know how to do it already?
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I'll show this video to my five year old. Perfect for little kids.......
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I donโt understand the tutorial by Zukermann, can someone mind explain more?๐๐ป
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Irish violinist can be very elegant
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Left hand fingers and its contact with the chords decides EVERYTHING in violin playing. Right hand is only a servant. At least it should be. Once it takes the lead over left hand and tries to dictate to it stating that "hey bro, it's me who produces the notes!", come tension, false notes, lack of synchronisation. What we heard in this video about hand position is simply blablabla, useless information. Doesn't help anyone.
Play violin this way. 1 Learn the music in your head, imagine all notes, phrasing, etc. correctly, and know what you want to express with your music 2. Establish contact with the chords through each of your left fingers in the smoothest and roundest possible way, so that you feel continuously that the music streams from your mind into the violin through your left fingers. 3. Never EVER lose this feeling and contact. 4. Don't care about right hand, it won't mistake again. Its job is easy. Yes, staccato too. If it does come back to point 1.
You're welcome.
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@priceviolinacademy
1 month ago
I resonate with so much of what was said here. Particularly when James Ehnes talked about conceptualizing the A and then building on top of it. I feel that intonation is about knowing the relationship between notes rather than where every note is on the instrument-- at least initially . You're so much more likely to get something in tune if you can clearly conceptualize the relationships between the notes and build a mental framework that will make you practice the passage the same way every time.
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