Views : 412,447
Genre: Film & Animation
Date of upload: Jan 21, 2019 ^^
Rating : 4.966 (139/16,000 LTDR)
RYD date created : 2022-03-27T13:44:08.345344Z
See in json
Top Comments of this video!! :3
Aoki's positioning in this movie is so genius, he occupies the same space on screen that he occupies in Gondo's mind. He is always there, in a position that obviously places him in the background, but also in a space that our eyes can't help but continuously be drawn to. We can't help but keep glancing at him to see his reactions, even as he is simply standing there helpless for a chunk of the movie, he is still there, a visual representation of the human stakes of the story. It is the same for Gondo, Aoki's presence and grief is always hovering over him, never quite out of sight as he attempts to make a single decision that will determine his future. This movie, and Kurosawa in general, does such an incredible job at representing these things visually in a way that looks so flawless and natural
144 |
The first twenty minutes of High and Low is almost an object lesson in how to direct a set piece. No flashy cutting, no off beat camera angles, no camera on dolly or steadicam. Kuroasawa does this by grouping and actor movement. When you see this on the widescreen, and if you understand cinema, its a real treat for the eye. Not to say the remarkable acting. Toshiro Mifune was one of the finest actors to ever grace the screen.
7 |
This movie is mindblowing in details. The telephone scene at the beginning, I think it is almost 10 minutes long, captured in one take. Amazing work by all actors, especially Toshiro Mifune and Tatsuya Nakadai.
High and Low is one of my favorite Kurosawa films and, yes, it is probably the most underrated he's ever made. I guess the reason is it's set in then modern 60's Japan era and people mostly associate Kurosawa with samurai themes. Another modern film - The Bad Sleep Well, which is less entertaining than High and Low, is full of legendary shots and still it goes unmentioned. For me it is a directing masterpiece.
Thanks for this video, I'm definitely watching this film again these days, haven't seen it in almost a decade.
37 |
@mr.phillips
5 years ago
Please more of this. The "Brilliant Moments" episodes that focus solely on one piece of the craft are my absolute favorite. It fills the hole that Every Frame a Painting left.
946 |