Views : 124,280
Genre: Music
Date of upload: Dec 5, 2022 ^^
Rating : 4.942 (113/7,690 LTDR)
RYD date created : 2024-05-16T01:04:21.663168Z
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Top Comments of this video!! :3
Thank you!
Even the basic form of the Circle of Fifths is very useful. The self-similarity of the natural scale is the reason why key signatures even work. Of course, for the pure instrumentalist without any creative ambition it's just a lookup table, but if we look a little deeper, it becomes apparent that neighboring tonalities only differ by a semitone making the whole enchilada jump. It's noteworthy, I don't know it's being said.
Another interesting thing to note, especially for adding a lead voice to our progression is that in the particular case of using a major chord for the dominant (5th chord, Phrygian mode) in a minor key, we might as well view this as a scale variation to a Harmonic or Melodic tonality. These shift the 7th note up by a semitone in order to create a Leading Tone, which happens to be the third in the Phrygian that gets elevated to a major one.
In case of Melodic Minor, another way to describe its mode in the 5th, Phrygian position is to view it as Aeolian #3, which then would rotate the circle, but also possibly cause a mess? Which variant would be better?
How best to apply the Circle of Fifths to altered scales in general?
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@agatasoda
1 year ago
If this was taught to me this back when I start learning music I might have become the professional musician my guitar teacher imagined me being.
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