Views : 245,773
Genre: Film & Animation
Date of upload: Jul 15, 2021 ^^
Rating : 4.729 (498/6,863 LTDR)
RYD date created : 2022-02-20T04:14:10.760375Z
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Top Comments of this video!! :3
Interesting re-imagening of Ariadne's Thread. It makes think back on the classic myth and what ifs. Also odd choice to stay in the mall and choosing cannibalism instead of jumping the guy and getting out there when he came around with fresh meat. Guess they're playing out on the fact that sometimes survivors' minds end up so broken that they become the monster themselves as coping mechanism maybe. Also I like how it works as cautionary tale showing that beyond looks, gender, age, etc...you never know who is hiding behind the mask and how risky it can be to lower your guard making yourself vulnerable just because that stranger seems harmless or trustworthy.
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This begins as a stranger danger horror film. It then gets into a cat and mouse horror story with some really scary rooms with reveals that are twisted and horrifying. The end was twisted too.
This is a story that you could see on a deserted island. So putting it in an abandoned mall was interesting.
Lessons:
1) Follow your gut. She knew not to go in the empty building.
2) Remember a high heel can be used as a weapon.
3) Many monsters are of the human kind.
4) Mall Muzak is the real horror.
It is also interesting to ponder that the group at the end doesn't want to leave which gives another angle of horror.
The farm break was interesting and maybe there is a message of the dead mall being like how a farm appears to a Vegan.
I enjoyed the film and thanks to Olivia West Lloyd, the cast, and crew. Maya Martinez the lead actress also portrayed being terrified exceptionally.
Peace.
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3:07 seeing a mannequin wearing the same clothes as you is creepy af
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@WatchALTER
2 years ago
A statement from the writer and director Olivia West Lloyd: Dead Mall is a reimagining of the Minotaur myth from Greek mythology, undone and unraveled and placed in a desolate downtown Miami mall. I love the way that Greek mythology takes the baser human emotions - lust, greed, vanity, spite, envy, fear - and gives them to the Gods, who play them out in exuberant and operatic ways. It not only humanizes the Gods, but it makes divine those pesky feelings that rule human existence. I am drawn horror for many of the same reasons. Here is a genre that centers emotion - especially female emotion - and allows it to be big, messy, and unrepressed. As a woman, I spend so much energy trying to keep my emotions from leaking into my daily life for fear of making others uncomfortable. But emotions rule us all, and in horror, they are allowed to rule without restraint. My interest in horror often boils down to an interest in fear - how it motivates us, reshapes our identities, and rewires our brain chemistry. Fear is endlessly manipulative, and it has the capacity to turn us into the very thing we fear in others. As fear is passed from person to person, generation to generation, the line between victim and perpetrator becomes unbearably thin. Dead Mall is a story about that slippage, and the cyclicality of horror in our world.
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