Views : 35,825
Genre: Music
Date of upload: Nov 21, 2022 ^^
Rating : 4.975 (8/1,260 LTDR)
RYD date created : 2024-04-13T03:39:22.443008Z
See in json
Top Comments of this video!! :3
I'm about to sleep but I see this drop out of the blue. Goodbye sleep. I know I'll be ruminating and mulling over your works for a long time. This sounds oh so new, and terrifyingly different, and exhilaratingly strange, and yet also it carries hints of the comforting familiar. But they did say art should disturb the comforted and comfort the disturbed, right? You help take me on a whole journey past the layers of the mundane grit that cloud my vision, to look within myself and place a finger on the bared fangs belonging to some hidden, primal emotions deep within. Thank you for sharing your work Justin.
30 |
Crywolf never fails to impress, and once again this album soars to new heights and dives into depths never-before explored to reveal a certain kind of rare beauty. I'm not quite sure what it is, but despite the dark, brooding, sometimes even powerful, aggressive atmosphere the songs of this album give off, underneath it all is something comforting, nostalgic - perhaps it's just me finding parallels with other songs? the chimes in Paroxysm bring to mind Respirate; the soft vocal intro of Dreaming Of Me In Colors Of White is reminiscent of the outro of Silk; the instrumental segments of Abaddon are similar to those of Anachronism. many a day and night these songs play in my head and give me rushes of inspiration that I have been needing.
thank you Crywolf, for all the masterpieces that are the songs in this album.
35 |
12:25 - 13:22 is absolutely incredible.
The Latin was a great surprise and adds character and depth, combined with the harmonies and chilling hi-tempo beat to create a โchant-esqueโ like section.
I swear to god, I ascended to the astral plane on first listen and left me speechless. Iโve repeated it about 100 times since.
With no disrespect, I thought youโd never make music as good as your previous albums, yet, here we are with another absolute masterclass.
12 |
Eu sempre viajo para meus mundos com suas mรบsicas โค
Pra ajudar:
0:00 AMARANTHINE
3:05 ABBADON
8:07 [skototropism]
9:15 D D D N N N A A A
15:00 i see the birth and death of the universe swimming around in your eyes
15:35 DREAMING OF ME // IN COLORS OF WHITE
20:03 DATURA
23:40 [the veil, eternal]
24:24 SMOKE AND WATER
28:46 THE LAZARUS OF WESTLAKE
32:35 ULTRAVIOLENT
36:40 EXUVIUM
41:11 [i touched her face like the ark of the covenant, like someone expecting to be smitten by god]
42:10 FAR LIGHT
49:50 [annihilation at 30,000 frames per second]
70 |
This album is unparalled. It must be so cathartic to christen the demons that linger inside of you and forcefully bleed them out. This is your most genuine piece of art youโve produced. I really hope this blows up like Cataclasm did because you really deserve it. Iโm proud of you man. If youโre still answering comments, I do have a question: why did you update [under the ground, it glowed]? Was it to sort of tease part 2? I was listening to Widow and noticed the track was much longer than it was before.
Amaranthine and AbaddoAbaddon are by far the coolest album-exclusive tracks. They preface the rest of the album and create a beautifully terrifying universe right out of the gate. Iโve been waiting for Abaddon to release since you revealed a snippet of it on your instagram story. Itโs such a cool fucking song. The metal sound at the end of the Exuvium track is also dope as fuck, I never imagined in a million years youโd add that type of flavor to your music, but it works so well. So many jaw dropping/goosebump moments on the album. DNA sounds like it came from a land out of time, like its the hymn of an ancient ritual. Datura is rainbow poison and pure poetry. Smoke and Water is hypnotic, a glimpse of the surly grin that pulls you underwater and keeps you there until you can breathe it.
The whole album is a ticket to the underworld. To listen to it is to bury yourself alive, peer at the edge everything, shake hands with the void, and bloom from the ground with explosive colors.
Albums prior felt surgical in that you would cut yourself open very precisely and spill yourself delicately. EXUVIUM feels like you clawed yourself apart and I love it. Itโs so real. I love everything about it from the genre shifts, to the callbacks, to the production, to the atmosphereโyou put a billion and ten percent into this album. God bless you man.
29 |
Everything on this album is just the epitome of emotions. Silent rage, peaceful chaos reigns with every tone and symphony it produces. Just perfectly balance and it is really an honor to heart the second part of รblivion.
Looking forward for more but for now I'm going to immerse fully into this euphoric listening experience.
19 |
What a beautiful yet terrifying sequel to Widow. It blew past my prior expections tenfold! Where Widow signified grief and loss and a spiral into the unknown, this really feels like a opening of a new chapter, beginning to grow past that hurt, an ascent. I hope old fans and new all appreciate this beautiful work of art you've crafted, and you garner many new fans into the pack. โฐ
7 |
I had rediscovered Crywolf shortly after the passing of my brother this March. The beauty, the grace, the depth- of your music, has dug into my very being. I held my breath throughout the announcement, and the teasers to this album. And now... You simply took it away.
Thank you, for everything you do.
2 |
I listened to this at like 1am the day it came out, and let me tell you that was an EXPERIENCE for sure. This album is hands down one of my favorites ever, I honestly canโt even put what Iโm thinking into words rn.
Thank you for continuing to be a huge inspiration for my art with these songs, theyโre all so sick <3 <3
4 |
@AILIAUS
1 year ago
Easily your best album, completely taking the direction of Cataclasm, the uncertainty of Dysphoria, the dread of Skeletons, and the loss of Widow and mashing them all together into this apocalyptical cauldron - slowly turning the spoon of malice and hate until the contents within spews out. What a beautiful sacrifice being presented without remorse. What a masterful loss of paralleled proportions. What a divining resolution on creating and destroying.
163 |