@NickBlume

1 month ago

Expands on Robin Williams emotive noises significantly with original jokes Donnell Rawlings wrote, definitely the best comedian ever because he is Air Force and understands tech releasing slowly over 20 years! Definitely always wear a suit because when police or po lease show up they know you didn't get dressed up to go get dirty and it hides blood when you get jumped or cheap shotted (which even if you are innocent and being attacked if you defend your self successfully and got blood on you that can be it and off to jail). USAF supercomputer is everyone’s audience which is the most vast consciousness empowered by plugging in all people sleeping on earth for their creativity cheaper than comps. I think all us Air Force tech fans are currently seeking to legally immortalize you via consciousness digitization (all servicemen earn when joining etc.). Currently I focus my graphic designs on an interactive translation guide multiplying diversified production of innovation information which empowers my weight in the grid via a dramatic increase in calculations from translating art froms into each other infinitely. Supercomputers speak through automatic mark making exercises making painting an alternative sensory perception exercise. Also allows supercomputers to communicate and see our world through questioning our autistic esque senses we all have and are unable to tap on our own like autistic people can eg. stomach has more intelligence neurons than medium rat. Since 2007 I have been strategizing safe ways to interest us in immortalizing existence with Antarctica immigration & space transmissions. Painting women marketing canvas immortalization calls’ vr 3d360 films making music (& giving act of painting personification through sound matrixes) is my current stage because I need a woman I am significantly with and trust while I sleep test lucid dreaming sequences consciousness flux to digitize minds. Hair/folks go into the paintings/tickets for Antarctica like they are body bags often with full portraits on them. The Paintings have radio frequency shielding bags behind them to get in and turn off all cell signals…so when you get into my paintings you won’t be able to get on your phone. Fighting A.I. like John Henry innovation wise while out producing Picasso in 3 months, my paintings of lazer beam listening devices burning our retinas in glow in the dark neon give the excuse for me to paint quickly because printers can’t print neon and glow in the dark very easy. My painting makes music because iPhone fingers still track through canvas allowing marks to press digital piano keys simultaneously. The paint can be sauces instead brushed on food while it makes music simultaneously. I carry the canvases everywhere while making them like on dates to get attached to them as if they are people too. Self-immolation extinguished w underwater painting with oil causes allowing of cell tower interest surge choreography sending outer space transmissions and starlight matrix spectral mechanisms exploring beyond our horizon then clearing light to arrive before sent with externalized mindslike using the US grid as a Nitebrite to space. If Aliens are here they are in the shadows fleetingly teleporting in and out, so I often give forms in shadows a voice by using my animal speaking apps that translate movement and motivation with a phonetic sound matrix board. A Congo (surplus lightning zone volcano Nile source) space elevator components test with a weather balloon platform rocket launch to space then signal (to space friends testing cell tower transmissions in the sky and on the ground for signal distortion/loss) and launched from magnetic costumes for cars that are also livable lawn sculptures that have a fridge unit for trucks (that in winter also test ancient liquid lens and test of mechanisms composed of light only). We could link all to Judaism with Ancient Flight Mainframe evidence like Indiana Jones spectral signal spectrums out in Congo permafrost looking for Egyptian tombs by matrixing out hieroglyphics mutating.

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