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Views : 1,264,049
Genre: Film & Animation
Date of upload: Apr 20, 2024 ^^
Rating : 4.783 (6,245/108,631 LTDR)
94.56% of the users lieked the video!!
5.44% of the users dislieked the video!!
User score: 91.84- Overwhelmingly Positive
RYD date created : 2024-07-26T04:48:05.071448Z
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Top Comments of this video!! :3
I see a lot of people defending Greg Land based on the still images (and some because they clearly like to beat their meat to it. Whatever, you do you), and I'll admit that some of his tracing does look good when taken as isolated images. But it doesn't flow in a way that works for storytelling. Characters can vary wildly in appearance depending on which image he's using. The O faces and positions of porn stars are not adequate to convey action scenes, they're jarring and obvious, and there's no sense of movement from his art. It's very static. Remember, comics aren't just a set of poster images, the images are meant to be telling a story. Greg Land's tracing does not do this well. Why would it? His work is not produced to convey a specific scene, but selected from a bank of images where he just thinks "that'll do". That re-used Thing face? What was it supposed to convey? Is he angrily shouting? Is he in pain? Is that his O face? To Greg Land, the answer is "yes."
And to be honest, I think a lot of his character work looks more like models in cosplay than actual superheroes. Because that's effectively what it is.
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Neal Adams is considered a legend in comic but talking to him at a show he went on about his process which involved tracing photographs. He even got specific when talking about the hardcover reprint of Superman vs Muhammed Ali saying that he still had all of the photos he'd worked from and used the photos of Ali in the digital coloring process by overlaying his inks over the original photos to get accurate skin tones.
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@HollowGolem
2 months ago
He keeps getting work because tracing makes him FAST. He comes in before deadline every time.
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