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33 Comments
Top Comments of this video!! :3
Chopin used a bebop dominant scale in his Ballade n.1.
In bar 162 there is an F major descending scale with the addition of E flat.
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This is where the expression 'blue note' came from.
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The blues scale is also a bebop scale; itās the same as the minor pentatonic scale with the tritone note added in between the fourth and the fifth.
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I love A bebop minor (aka bebop dorian) scale.
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Louis Armstrong was the first to play one of these ideas. Charlie Parker heard it soaked it up and turned it into the language that we all know today!
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Another point to add is why . the added note evens the scale rhythmically, makes you land on the tonic when playing in eighth notes
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I think you gotta add the fact that these 2 scales are generally played as whole scales to create that effect. When you identify them via the recordings it can only be heard if they play the complete scale ascending or descending :)
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Oh, I watched a video where they were talking about Bebop scales, but I didn't know what they were. Thanks!š
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The dorian and the mixolydian bepop scales are exactly the same in relation to their parent (ionian) key. Since Jazz musicians like to play the ii as if it's V, it is silly to give them different names in the context of this traditional approach. It's not helpful separate these concepts for 50's bebop.
over a ii chord in C: D E F F# G A B C D ("dorian bebop")
over a V chord in C : G A B C D E F F# G ("mixolydian bebop")
As you can see, these are the exact same notes.
The soloist will completely igore the different harmony (ii or V), and will play this one scale over both chords.
The purpose is to line up chord tones on the beat. That doesn't happen reliably with an uneven 7 note scale.
It's extremely important to be aware of where the beat is. If you start a descending scale line on the beat on a non-chord tone, you don't add the chromatic note. If you start on a chord tone on the beat, you do play it. Vice versa with offbeats.
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Very true at the end. Itās more important to recognize that the bebop scales incorporate mode mixture along the more, I guess you could say, āmodally temperedā modes. Bebop major has both sevenths; bebop dorian has a split third; bebop minor I believe (if distinct from bebop dorian) has a split sixth.
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Awesome history lesson to revitalize! Im gonna try to incorporate this now! I never knewā¦.
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Thanks, I needed this.
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This really explains very little of how important this scale is conceptualized
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Please do a video on Barry Harrisā teaching of the 6dim.
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Reminds me of Bach's never ending cannon
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Barry lo explica detalladamente esto ,esto es solo un flash ,estas escalas y sus pasos son una filosofia en si misma,
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Thanks Mumbo jumbo
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At first i thought Cowboy Bebop
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Vespa
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@thisismyname8621
1 year ago
your note at the end is important because this is how is goes for all theory. People composed and then people analyzed
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