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12,950 Views β’ Aug 12, 2024 β’ Click to toggle off description
Well, should you or shouldnβt you?
What do you think?
#mixingengineer #audioengineer #masteringengineer #protip
Views : 12,950
Genre: Howto & Style
License: Standard YouTube License
Uploaded At Aug 12, 2024 ^^
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RYD date created : 2024-08-30T11:58:38.766411Z
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63 Comments
Top Comments of this video!! :3
I used to be a a high school and college intern for Bud Hobgood (James Brown's producer/engineer) .He always used 2 tracks for bass.. one straight no effects panned hard right in the mix, and one with a slight plate delay panned hard left. It works for Funk & R&B.
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Phase is your biggest enemy, and it loves a good stereo bass. Just better hope no-one ever sums that track to mono.
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just Splitt your bass, under 80-100 hz mono and open the stereo field above
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Hell yeah streaky so glad to hear this
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i once had an angry A&R telling me the cutting plant for 12" vinyl almost damaged a lacquer mastering machine due to the fact my low end was too much out of phase ππππ It became a very big hit after all (after i turn led back the width of the sub bass that is) good tim
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I've been wondering this for years thanks
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Nice little tip, I mono my bass and my kick on every track tbf. Makes sense being dance music especially when your producing at 170bpm π
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Agreeed
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Note: NOT dance music. You'll lose all the power and in clubs, either the mono summing will eat frequencies or you'll get weird dead zones in the club.
There are great modern phase plugins that are designed to create mono compatible bass effects, such as Basslane Pro.
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Can you show us an example perhaps using space control by Luca and hardwell? Or even just a kirchoff
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Andy Wallace famously puts some stereo chorus on the bass on every track he mixes to make it wider
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The master has spoken
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Thank You.
This is great advice.
What are the best widener plug-ins you'd use for this ?
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We must hear clearly the bass line, drums and the dynamic of the track. Some bass lines need to be on mono, some not, some in mono only to 150hz, depending on the situation π€·π»ββοΈ
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It does sound amazing, but doesn't sound as Pro as Big productions...
We tend to follow patterns that we hear since the beggining of all, so I think we should consider to keep Monoing our basses no matter what...
In a case where I'm showing my prodution to a TV/Radio personality, os even the internet, I wouldn't want to get my work rejected just beacuse it was "too different" to the market, just saying....
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For dance music I mono sub under 80. Stereo above.
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but that just causes phases issues though?
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Streaky's a legend π
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agreed, phase coherence and mixing in mono aren't the same thing
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@StrangeAttractor
3 months ago
A lot of really well produced drum&bass has a mono sub but then a stereo bass layer sits on top around 100-150hz
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