@slaystinn

6 months ago

It's all bad. That's because of the extremely dreadful autotune and derivative compositional choices. All of the tracks are just melodramatic midtempo bsides that are derivative of K-pop. There are barely any tracks that stick to me in terms of something that I remotely enjoy. They just feel like a collection of abandoned projects from various producers much alike their predecessors like the Unforgiven album. I think exploring various soundscapes to show off many sides as an artist is something that deters me from getting into lesserafim because throughout listening to their albums, I get disengaged, disconnected and it becomes inconsistent at all times from a sonic and production standpoint. You can still have a genre themed album that can be cohesive but distinctive for example if you look at GWSN's discography, they have explored a fusion of different genres without sounding the same but maintaining what makes GWSN GWSN showing the versatility they have in their music. I feel like that's what lesserafim should do, but since they are focused on the message they convey to the audience of breaking boundaries, they won't take it into account. I mainly listen to music for the production aspect rather than for the arts of conveying messages as it's what makes music replayability to me.

Swan Song (8/10) >>>>>>>>>>>>>>> Smart (4/10) >>>>>>>>>>>>>>> EASY (2/10) > We Got So Much (1/10) > Good Bones (0.5/10)

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