Spotlights
137 videos • 16,636 views • by Cooke Optics
1
What is the role of the Cinematographer? || Spotlight
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2
Spotlight || Mathieson and Charters: Has the Role of the Cinematographer Changed?
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3
Film vs Digital: The Big Debate || Spotlight
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4
The Documentary Cinematographer || Spotlight
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5
Advice on how to get into the Film Industry for Cinematographers || Spotlight - Geoff Boyle
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6
Sean Bobbitt's Cinematography Influences || Spotlight
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7
T2: Trainspotting exclusive with cinematographer Anthony Dod Mantle || Spotlight
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8
Cinematography needs to serve the story || Michael Chapman || Spotlight
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9
The advantages of young cinematographers || Spotlight
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10
Blockbuster camera and lens combinations || Michael Seresin || Spotlight
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11
What is the future of resolution and lenses? || Paul Cameron || Spotlight
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12
How I approach cinematography || Steve Yedlin || Spotlight
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13
Working with anamorphic lenses || Markus Förderer || Spotlight
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14
Directors on cinematographers || Michael Apted || Spotlight
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15
How do you choose your cinematography equipment? - BSC Expo 2017 || Spotlight
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16
Camera and lens choices for stop-motion || Dave-Alex Riddett || Spotlight
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17
Recent Cinematography Challenges - BSC Show 2017 || Spotlight
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18
The SFX Artist || Spielberg and Saving Private Ryan || Neil Corbould
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19
Michael Seresin on Cinematography || Spotlight
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20
How to start in the film industry || Anthony Dod Mantle || Spotlight
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21
How to Create Texture in Digital Film || Philippe Ros || Spotlight
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22
What is the future of lighting? || Geoff Boyle || Spotlight
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23
What makes a cinematic image? || Spotlight
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24
Why you should hire experienced crew || Geoff Boyle || Spotlight
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25
Digital Sensors and Dynamic Range (Part 1) || Spotlight || Geoff Boyle
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26
Vittorio Storaro || Cinematography as Art
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27
Cinematography: The Language of Colour || Vittorio Storaro
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28
The Craft of Film Editing || Paul Hirsch || Spotlight
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29
Camera & lens choices in the new generation || Spotlight
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30
The role of the Film Producer || Paula Wagner || Spotlight
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31
The Virtual Reality Cinematographer || Jannicke Mikkelsen || Spotlight
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32
What Is The Future of Cinematography? || Spotlight
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33
My Cinematography Method || Barry Ackroyd || Spotlight
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34
The Role of the Art Director and Production Designer || Terry Ackland Snow
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35
Forget The Numbers || Geoff Boyle || Spotlight
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36
The Role of the VFX Artist || Mark Weingartner
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37
What Film Students Need to Know || Billy Williams || Spotlight
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38
Bigger budgets vs Small budgets || Phedon Papamichael || Spotlight
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39
Cinematography Meets Visual Effects || Ben Davis || Spotlight
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40
Colour Representation || Geoff Boyle || Spotlight
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41
Arri: Celebrating 100 Years || Jorg Pohlman || Industry Innovators
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42
Make pretty pictures, not accurate pictures || Spotlight || Geoff Boyle
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43
Why I Shot Period Films with Digital Cameras || Ben Smithard || Spotlight
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44
Do you film with prime or zoom lenses? || Laurie Rose
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45
The importance of film locations || Spotlight || Ben Smithard
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46
Adapting to Change on Film Sets || Bradford Young || Spotlight
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47
Digital Sensors and Dynamic Range (Part 2) || Spotlight || Geoff Boyle
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48
Does Resolution Matter? || Geoff Boyle || Spotlight
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49
The VFX Artist: Practical Effects and Christopher Nolan || Spotlight
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50
How Black American Culture Influenced cinematographer Bradford Young || Spotlight
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51
Spotlight
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52
Women in the film industry || Rachel Morrison || Spotlight
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53
Seamus McGarvey answers your CookeOpticsTV questions || Exclusive
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54
Seamus McGarvey answers your CookeOpticsTV questions
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55
How & Why I choose lenses || Bradford Young || Spotlight
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56
The Cinematography of Barry Jenkins with James Laxton | Spotlight
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57
Aspect Ratio in Cinema: Explained by Seamus McGarvey || Spotlight
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58
Working with large format cameras || Greig Fraser || Spotlight
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59
Filming Commercials || Autumn Durald || Spotlight
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60
Utilising Natural Lighting & Long Takes || Ben Davis || Spotlight
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61
Working with large format cameras || Greig Fraser || Spotlight
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62
The Art Direction of Aliens || Terry Ackland-Snow || Spotlight
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63
What is the Future of Cinematography || Vittorio Storaro
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64
Cinematography preparation || Bradford Young
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65
Working with Anamorphic Lenses || Dan Mindel || Spotlight
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66
Cinematography in space || Terry Virts || Spotlight
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67
Working with LUTs || Ben Davis
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68
Essential Lighting Kit for an Indie Film Production || Julian White || Spotlight
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69
Capturing the reality in cinematography || Barry Ackroyd
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70
Wes Anderson's Shots: Deconstructed by cinematographer Robert Yeoman
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71
How to communicate your vision on a film set || Bradford Young
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72
Cinematographers: What is your favourite light and why? || Spotlight
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73
Deconstructing long take camera movement || Seamus McGarvey || Spotlight
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74
Oliver Stapleton - What Film School teaches you & the NFTS
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75
Robert Yeoman - The Visual Grammar of Film
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76
Hollywood Cinematographer Shares Philosophy | Ben Davis
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77
Making Creative Decisions In Independent Films || Cinematography Spotlight || Jess Hall
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78
[Private video]
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79
Cinematography and Production Design in Film || Seamus McGarvey
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80
Star Wars Cinematographer discusses his approach to lighting
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81
[Private video]
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82
The Art of Steadicam Operating in Cinema
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83
The Art of Steadicam Operating in Cinema
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84
Filming short films | Bradford Young
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85
Filming short films | Bradford Young
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86
[Private video]
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87
Advice for working in the film industry | Oliver Stapleton
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88
Cinematography Advice For Our Younger Selves | Roundtable
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89
Cinematography Advice For Our Younger Selves | Roundtable
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90
Cinematography Advice From Our Mentors | Roundtable
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91
TRAILER: How cinematographers got into the film industry
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92
Billy Williams - Working with the director
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93
Billy Williams - Working with the director
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94
How Cinematographers Broke into the Film Industry
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95
Using fewer lights || Seamus McGarvey
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96
Do Camera and Lenses affect lighting? || Julian White
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97
What early projects taught us about Camera Operating | Peter Robertson and Rodrigo Gutierrez
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98
Indie vs Blockbuster Filmmaking || Jess Hall
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99
Recreating Sunlight in Film | Autumn Durald
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100
How to light a water commercial | Geoff Boyle
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101
The Cinematography of Natasha Braier
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102
Simplifying Film Lighting | Cinematography Roundtable
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103
Michael Apted on Filmmaking
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101
The Cinematography of Natasha Braier
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102
Simplifying Film Lighting | Cinematography Roundtable
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103
Michael Apted on Filmmaking
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104
What Experienced Film Directors Teach You | Peter Robertson and Rodrigo Gutierrez
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105
David Cronenberg's Cinematographer Discusses Their Relationship
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106
Filming Psychological Horror with Seamus McGarvey
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107
Robert Yeoman - Shooting Exterior shots
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108
Oliver Stapleton - How to build endurance for the film industry
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109
Newton Thomas Sigel on the Making of Drive
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110
Evolution of VFX in Cinema | Don Burgess
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111
How to block a film scene for camera operators | Peter Robertson and Rodrigo Gutierrez
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112
Cinematographer Roundtable - Working with the Gaffer
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113
Jess Hall - How I research cinematography projects
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114
Caleb Deschanel - Hal Ashby and 'Being There'
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115
Billy Williams - Working with actors
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116
Cinematographer Roundtable - Working with Practical Lighting
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117
Filming the Space Film | Dariusz Wolski
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118
Newton Thomas Sigel - Working with different directors
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119
Discovering Yourself || Bradford Young
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120
Handheld Camera Operating | Peter Robertson and Rodrigo Gutierrez
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121
Rodney Charters (24) - 20th Anniversary
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122
Seamus McGarvey - Deconstructing Cinematography: A Matter of Life and Death - 75th Anniversary
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123
Filming in Direct Sunlight - Ahmad Al Morsy
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124
Don Burgess - Working with Robert Zemeckis
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125
[Private video]
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126
'The Green Knight' Director on Filmmaking
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127
The Cinematography of The French Dispatch
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128
Working with the VFX Supervisor on The Avengers | Seamus McGarvey
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129
Shots that challenged us | Peter Robertson and Rodrigo Gutierrez
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130
The Cinematography of Fight Club | Jeff Cronenweth
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131
Billy Williams' Cinematography Inspirations
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132
Lawrence Sher on Pre-Production in Film
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133
Newton Thomas Sigel - The Superhero Film
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134
Designing Tim Burton's Batmobile | Terry Ackland Snow
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135
What is the hardest to master in cinematography? | Cinematography Roundtable
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136
Directing Music Videos | Colin Tilley
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137
Working with Directors | Martin Ruhe
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