02:43

Benedictus (SATB, 2022)

20:52

How to Compose a Fugue "alla Duodecima" || Imitative Counterpoint 10

22:41

How to Compose a Fugue "Alla Decima" || Imitative Counterpoint 9

13:04

Mozart Plays with Augmented Triads || Harmonic Motive

15:48

ANALYSIS: Chopin, Fugue in A minor, B.144 || Imitative Counterpoint 8

20:19

ANALYSIS: J.S. Bach, Fugue in C major, BWV 846 || Imitative Counterpoint 6

17:33

How To Compose a Fugue "all'Ottava" || Imitative Counterpoint 7

34:32

How to Compose a Simple Fugue || Imitative Counterpoint 5

14:05

Understanding the BACH Motif || Imitative Counterpoint 4

20:12

Fugue Subjects and Answers || Imitative Counterpoint 3

14:04

How to Compose a Perpetual Canon || Imitative Counterpoint 2

27:19

How to Compose a Canon || Imitative Counterpoint 1

19:02

When are Parallel Fifths Ok? || Brahms on Forbidden Parallels

16:02

Beethoven's Hidden Composition Lesson in the Pathétique Sonata

17:21

How to Compose Pedal Points || Tonal Voice Leading 19

23:23

The Tchaikovsky Counterpoint Exercises || Tonal Voice Leading 18

27:10

How to Compose Auxiliary Chords || Tonal Voice Leading 17

26:07

How to Compose Anticipation Chords (and Bass Suspensions) || Tonal Voice Leading 16

23:24

How to Compose Suspension Chords || Tonal Voice Leading 15

16:48

Dominant Seventh Chords Part 3: Counterpoint || Tonal Voice Leading 13

16:17

Dominant Seventh Chords Part 2: Thoroughbass || Tonal Voice Leading 12

17:08

Dominant Seventh Chords Part 1: Theory || Tonal Voice Leading 11

13:49

How to Compose Triads in Keyboard Style || Tonal Voice Leading 10

19:03

How to Compose Passing Chords || Tonal Voice Leading 14

16:23

Roman Numeral Analysis and Four-Voice Counterpoint || Tonal Voice Leading 9

16:41

How to Compose with Chords and Triads || Tonal Voice Leading 8

20:02

How to Compose Invertible Counterpoint || Tonal Voice Leading 7

20:05

How to Compose a Florid Melody || Tonal Voice Leading 6

16:28

How to Compose Suspensions || Tonal Voice Leading 5

17:32

How to Compose 4:1 Counterpoint || Tonal Voice Leading 4

17:26

How to Compose 3:1 Counterpoint || Tonal Voice Leading 3

21:57

How to Compose 2:1 Counterpoint || Tonal Voice Leading 2

36:24

How to Compose 1:1 Counterpoint || Tonal Voice Leading 1

29:16

How to Read a Schenker Graph

30:48

Schenkerian Analysis 7: Theory of Levels

21:11

Schenkerian Analysis 6: Displacement

18:41

Schenkerian Analysis 3: Horizontalization

27:07

Schenkerian Analysis 5: Harmonic Transformations

20:42

Schenkerian Analysis 4: Diminution

01:21

Bach/Schenker: "Ich bin's, ich sollte bussen" Score and Analysis

19:55

Schenkerian Analysis 2. Analytic Notation

10:45

Schenkerian Analysis 1. Introduction

16:40

Species Counterpoint Part 7: Fifth Species

08:53

Species Counterpoint Part 6: Fourth Species

10:10

Species Counterpoint Part 4: Second Species

09:19

Species Counterpoint Part 5: Third Species

21:39

Species Counterpoint Part 3: First Species

19:19

Species Counterpoint Part 2: Melodic Fluency

11:46

Species Counterpoint Part 1: Introduction