From the outside looking in, the Vanic story so far seems a dream. Touring around the world performing in front of vast audiences and signing to Sony’s Disruptor label in 2016 after a run of huge unofficial remixes set the dance community on fire, it looked like the world was Vanic’s oyster. The hits came in swift succession: ‘Samurai’, ‘Too Soon’ with Maty Noyes and ‘Staring At The Sun’ with Clara Mae captivated fans new and old, ‘Too Soon’ scoring him Top 40 standing in the official US Dance Charts. But for Vanic, the success came with a creative cost. In every artist’s career there are moments of pause and reflection. For Jesse Hughes, better known to millions of electronic music fans around the world as Vanic, that moment ended up being an entire year, 12 months where the Canadian producer pressed the reset button on his creative and emotional process and bought himself back to his roots.
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