07:00
The Perfect Plein Air Wet Painting Box
15:34
My Ultimate Plein Air Painting Setup for Traveling Artists
13:40
Everything Black Oil - How to Make and Use
10:22
How I make Dammar Varnish - Tips and Tricks
21:16
Best Painting Medium - Beeswax, Fused Dammar, Black Oil
33:22
The Ultimate Debate: Can You Escape the Meaningless Void?
30:11
Intuition, Creativity, and Art Process
59:10
Art, AI, and Integral Theory with @unthinkme1313
26:27
Mapping the Unconscious - Carl Jung, Personal Myth, and the Ego
22:05
Art Studio Tour: Creating an Inspiring and Practical Studio
18:18
The Power of the Tower: Symbolism Explained
17:31
The Meteor: A Symbol of Transformation - Painting Time-lapse
19:30
The Hero's Journey - Oil Painting Time-lapse
23:40
AI Jungian Dream Analysis Time-lapse Oil Painting
34:32
Time-lapse Painting: Navigating the Fringes of AI, Consciousness, and Terence McKenna's Vision
38:03
Painting Timelapse: AI Kant on the Nature of Consciousness
22:47
Drawing Wisdom: Authenticity and Tradition | Epic Art Time-Lapse & Live Call with Aquinas
38:30
AI and the Role of the Artist- Live Discussion with AI Galileo while Painting
34:35
My Experience Making Lead White - Dutch Stack Method
13:08
Cosmic Awareness: Time-lapse Oil Painting
07:24
When Life Gives You Lemons - Oil Painting Time-lapse
06:10
Still Life Timelaspe - Painting a Fennel
08:32
How I Paint a Still Life - Start to Finish Time Lapse
10:20
Making Oil Paint From Lazurite Pigment - Tutorial
09:10
Sketching My Foot with Silverpoint - Timelapse and Supplies
16:43
How I Paint in a Sketchbook - Rembrandt Master Study Time Lapse
16:24
How to Make Your Drawings Look 3D - Bargue Timelapse
14:09
Self Portrait Drawing Using a Mirror - Timelapse
06:10
Drawing the Figure on Magnolia Toned Paper
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About
Samuel Hoskins, b. 2000, is a Florence Academy of Art Alumni fascinated by imagery as the most direct form of communication between our dreams, visions, hallucinations, and our monkey bodies. This channel acts as a visual journal (sounds better than a diary) of my explorations in painting as a way of trying to condense and solidify the myriad of ideas and imagery that escapes English.
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