About
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).