11:07

How to SEQUENCE without boring everyone

13:49

The simple but effective way to arrange music

18:20

How to SYNTH PAD without Boring Everyone

13:23

How to USE Improvisation as a Compositional Tool

14:55

Why you can't forget that DUNE 2 theme

10:15

How to ARPEGGIATE without boring everyone

12:24

...and proved my point about originality

17:20

Making Modular Musical Again

01:34:13

Surviving as Artists in a Chaotic World (with @TonyAndersonMusic )

10:24

How to Ambient Music without BORING everyone

12:43

Why don't artists take risks anymore?

12:47

ANYONE can make electronic music

11:00

What if your dreams never come true?

12:42

Making a SONG from a LOOP without boring everyone

09:01

Why are B Sections SO HARD?

22:59

Release LESS music. Make it MORE memorable (ft. @TonyAndersonMusic)

13:45

Music Theory that Composers ACTUALLY Use

07:59

The simple way to make your music sound HUGE

08:57

Is Bandcamp dead? Now what?

14:06

I wrote a String Quartet (but used synthesizers instead)

13:09

A NEW way to write Chord Progressions

13:07

Write UNFORGETTABLE Melodies

15:36

How Content Kills Creativity

14:32

Music Degrees are a WASTE of time

10:21

How to get out of a creative rut QUICKLY

09:44

Mario taught me how to finish music

07:26

Throw away your DAW

07:07

How to be a Miserable Artist (in 6 easy steps)

06:22

I hate Phasers

11:39

The Problem with Presets

36:59

The Lost Prophet: Dave Smith's Forgotten Flagship

09:52

Originality doesn't exist. Be unique instead.

13:51

Classical Musicians suck at Electronic Music

09:41

Music Producers got this backwards (do less, better)

08:46

Music Theory won't make you a Composer

13:49

Music Technology almost ruined my music

11:15

5 Patches for Poly Evolver

16:28

I wish more synths could do this

06:38

The Poly Evolver is wonderfully weird... and may be my new favorite synth

07:44

Things you should know about the Polybrute

02:34

Interruptions // Fender Rhodes and GFI Duophony

10:31

Press here to swap your pedals around instantly (GFI System Duophony)

08:21

I spent a year trying to grow on YouTube. Here's what I learned.

13:15

Everyone was right about Phase Plant

09:17

Can a synth sound organic? What does that even mean?

07:15

Arturia Pigments wants me to sell my Iridium (again)

15:33

How your synth would sound in the post-apocalypse [Fairfield Circuitry Roger That]

07:25

Knowing when to STOP creating

08:48

Polybrute has a FOURTH LFO

40:44

Somewhat the Same - Jameson Nathan Jones [full album]

12:35

What would a PIPE ORGAN sound like UNDERGROUND?

09:48

Labels hated my album... and why it doesn't matter

04:51

Kept - Jameson Nathan Jones (oh no another music video)

24:54

THIS is why I bought a Polybrute

12:32

Prophet 6 beats the Polybrute at this

05:56

My first Polybrute patches [no talking]

08:21

Oops I bought a Polybrute...

03:17

Iridium with Analog Distortion sounds nice

32:26

Sequential Pro 3 as a Eurorack brain. Why haven't I been using it this way?

03:09

The Moog Matriarch is a very good synthesizer (no talking)