Welcoem to posts!!
in the future - u will be able to do some more stuff here,,,!! like pat catgirl- i mean um yeah... for now u can only see others's posts :c
Hey everyone,
This week, we've got a killer episode lined up for you, featuring fresh tracks from MYGR, Exult & Killey, Frannabik, and Sindicate.
Then, we're diving into Demo's Wips & Promos, where you'll hear upcoming tracks from Diode, Absu_NTQL & PRDK, Stonx, SYNE, and more!
And of course, your host, Ollie, is here to guide you through it all with his favourite picks from the past few weeks.
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To celebrate our 100,000 streams on Spotify (and to celebrate our Neuropunk release) we had a think about what we wanted to do to commemorate such a momentous milestone. We’ve also been looking at ways we can fund further projects and advertising and wanted to create a product that allows our fans to support us, but also take a little bit of collectible STONX magic just for yourself (also we didn’t wanna do an NFT cos WTF so yeah, this instead). Grab your now at Stonx.co.uk
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Hey everyone,
Sorry for the lack of content recently.
I've been moving house, setting up the new studio after the last one got broken into!
Anyways.. NEW EP OUT NEXT LETS GET HYPEEEE
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Hey Stonxers,
Any of you noticed the new SPAM bots infesting YouTube recently?
I'm being bombarded by bots talking to each other about spammy crap.
The more I report them the more they come!!
HALP!!!
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Hey Stonxers!
We have been finishing our old projects in Ableton 10 ,before upgrading to 11.
Are you still on Ableton 10? Have you upgraded? Or maybe running an even older version? let us know below!
Does this even make sense? I dont know, thats not even its purpose. Lets find out if this community thing is still broken!
Both feed MIDI signals into the computer and trigger samples in [the music editing program] Ableton Live.
Over the weekend, the electronic musician known as Grimes posted a music video with a note explaining that the accompanying song, “REALiTi," is a rough cut: “i lost the ableton file, so its not mixed or mastered.
Deadmau5 also called out the whole EDM community (including himself) earlier this year, writing on his Tumblr, "I think given about 1 hour of instruction, anyone with minimal knowledge of ableton and music tech in general could DO what im doing." Every reality show needs a competitor who approaches the game by burning every possible bridge, and plenty of EDM nerds seem willing to go full-on scorched earth. This wouldn't be like America's Next Top Model or The Bachelor, where competition is fierce, but pay-off is pretty low.
For music that uses live recordings of drums, guitars, and piano, however, such processing arguably ruins the experience of listening to music made by humans.
Rarely does an established author become a lyricist overnight, but music runs in Karr's blood: Her son plays saxophone, bass, and drums.
This recording is distinguished by a successful synthesis of structural clarity and a manner of music-making based on the affects intrinsic to the music.
(Think the current '80s-influenced sound of Mark Ronson and Bruno Mars' "Uptown Funk," Maroon 5's "Sugar," and Taylor Swift's "Style," or the "Soar" described by Daniel Barrow at The Quietus in 2011 that dominated songs like Katy Perry's "Firework.") Anyone can grab some blank sheet music and scrawl out the beginnings of a pop song, but no one can predict whether that song will resonate with enough listeners to make it a sensation.
By 2010, the fastest rising people queries included Justin Bieber, Katy Perry, Selena Gomez, Kim Kardashian, and Lady Gaga.
"Drunk In Love," Beyonce f/ Jay Z"Fancy," Iggy Azalea f/ Charli XCX"Happy," Pharrell Williams"Chandelier," Sia"Wrecking Ball," Miley Cyrus" "Dark Horse," Katy Perry f/ Juicy J"Fancy," Iggy Azalea f/ Charli XCX"Partition," Beyoncé"Royals," Lorde"Problem," Ariana Grande f/ Iggy Azalea "Fancy," Iggy Azalea f/ Charli XCX"Happy," Pharrell Williams"Talk Dirty," Jason Derulo f/ 2 Chainz"Problem," Ariana Grande f/ Iggy Azalea"Wake Me Up," Avicii f/ Aloe Blacc "Until It's Gone," Linkin Park"Demons," Imagine Dragons"Do I Wanna Know," Arctic Monkeys"Fever," The Black Keys“Royals," Lorde "Boom Clap," Charli XCX"Stay With Me," Sam Smith"She Looks So Perfect," 5 Seconds of Summer"Man Of The Year," Schoolboy Q"Miss Movin' On," Fifth Harmony "The Monster," Eminem f/ Rihanna"Drunk In Love," Beyonce f/ Jay Z"Problem," Ariana Grande f/ Iggy Azalea"Timber," Pitbull f/ Kesha"Loyal," Chris Brown f/ Lil Wayne &
Along with The Beatles, Katy Perry, and Coldplay, they control the rights to Lady Gaga, Rihanna, Taylor Swift, Marvin Gaye, Nirvana, Snoop Dogg, The Beastie Boys, and...well you get the idea.
they'll be there for it all." Less enthusiastic fans are labeled "Directionators" (real Directioners' name for fake Directioners)—a distinction that's needed in order to help distinguish Directioners from their mortal enemies, "Beliebers," and protect them from the forces of Lady Gaga's "Little Monsters," Katy Perry's "KatyCats," Ke$ha's "Animals," Bruno Mars's "Hooligans," Nicki Minaj's "Barbz," Adam Lambert's "Glamberts," Rihanna's "Rihanna Navy," Taylor Swift's "Swifties," Beyonce's "Beyhive," and more.
Morrissey (Of course independents love him.) Taylor Swift Rihanna Chris Brown Justin Bieber Adele Skrillex Lady Gaga Beyonce Jay-Z Justin Timberlake Self-explanatory Do you think Rihanna and Chris Brown should get back together?
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New Video out a 9pm UTC +1 || Live Performance on our 'Rings EP'!
#Drumandbass #DNB #Neurofunk #NewMusic
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What sounds do you need help with synthesising?
To be used as examples In upcoming "Synthesis Deep Dive video series"
Thanks!
Ollie
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Important Patreon related STONXMUSIC news!
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TL:DR || We have a Patreon, here's the link:
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www.patreon.com/Stonx
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Hello, all you wonderful Stonxers!
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It's year 2 now for our StonxMusic project and it's time for the STONXMUSIC Patreon to be born!
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Firstly, we'd like to thank you all for being a part of our little world since we started this project, it quite literally wouldn't exist without you, so our appreciation is endless!
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We really hope have enjoyed, and will continue to enjoy our content, be you a regular commenter or a quiet lurker we owe all of this to you!
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Now that we've established ourselves solidly on the socials and gained exposure, we really want to push the educational side of our efforts this year.
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We're going to be doing this in three ways, through Patreon, Private Lessons, and through our Website.
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We have Patreon Tiers available from just £3 a month (less than a coffee these days haha, if we're using that metric) for supporting what we do (and some benefits of course), to £100 a month for full interactive lessons, continual feedback, digital commissions and much, much more, so please do take a look and see if there's a Tier that fits you!
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All supporters will have access to Patreon only posts and the Patreon only Discord room where we'll blatantly chuck mad basses when we get too excited.
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If you've read this far godspeed you sun-kissed ray of light!
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Any questions at all please comment below! We are desperate to teach you guys how to make NASTY BASS and get YOUR music to the level where it makes YOU happy slight_smile
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Thanks again to all of you, for just being you!
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James and Ollie (STONXMUSIC)
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Betcha can't play this! 😜 Check out this bass solo off the new EP. Tabs available in description!
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Hey everyone!
Our EP Adapt & Survive is out TODAY!
Heavy NeuroFunk DnB nastyness!
Check it out on all streaming platforms!
open.spotify.com/album/2ojryIfCEkNMgZPzkXwOGY?si=f…
Thanks for all your support!
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STONX (Ollie Barron) is a relentless force propelling the evolution of Neurofunk. With a foundation in bass guitar and inspirations from legends like Teddy Killers, Current Value, The Prodigy, and Noisia, he crafts heavy-hitting anthems that leave listeners craving more.
Releasing music on renowned labels such as Eatbrain and Neuropunk, STONX has solidified his place among Neurofunk's elite. His tracks have garnered support from industry titans like Ed Rush, Andy C, Gydra, Jade, Black Sun Empire and Agressor Bunx. With headline shows on international stages, he delivers electrifying live sets that push the future sounds of the ever-thriving Neurofunk scene.
When he's not in the studio or on stage, Ollie hosts the "Stonxcast," a weekly Neurofunk podcast reaching over 20,000 dedicated listeners worldwide. STONX remains committed to delivering the relentless sound that fans have come to love. For those seeking the forefront of Neurofunk, STONX is the name to watch.