02:52

Summer Harmony (Day 8) {Part 3} - Hemiolas

06:12

Summer Harmony (Day 8) {Part 2} - How to Prepare a Minuet

09:53

Summer Harmony (Day 8) {Part 1} - Preview of the Final Project

01:25

Summer Harmony (Day 7) {Part 9} - Review of the Concept

07:54

Summer Harmony (Day 7) {Part 8} (C) - Secondary Dominant Exercises (Part 4)

09:11

Summer Harmony (Day 7) {Part 8} (B) - Secondary Dominant Exercises (Part 3)

04:12

Summer Harmony (Day 7) {Part 8} (A) - Secondary Dominant Exercises (Part 2)

04:35

Summer Harmony (Day 7) {Part 7} - Secondary Dominant Exercises (Part 1)

05:16

Summer Harmony (Day 7) {Part 6} - Battle of the Tones

09:42

Summer Harmony (Day 7) {Part 5} - Another Special Resolution

06:20

Summer Harmony (Day 7) {Part 4} - Exceptions to Resolutions

03:16

Summer Harmony (Day 7) {Part 3} - Resolving Secondary Dominants

04:53

Summer Harmony (Day 7) {Part 2} - Strong Harmonic Motion

15:55

Summer Harmony (Day 7) {Part 1} - Secondary Dominants

10:21

Summer Harmony (Day 6) {Part 11} - Analysis Work (Part 5)

07:30

Summer Harmony (Day 6) {Part 10} - Analysis Work (Part 4)

07:46

Summer Harmony (Day 6) {Part 9} - Analysis Work (Part 3)

09:23

Summer Harmony (Day 6) {Part 8} - Analysis Work (Part 3)

04:45

Summer Harmony (Day 6) {Part 7} - Analysis Work (Part 2)

11:49

Summer Harmony (Day 6) {Part 6} - Analysis Work (Part 1)

06:07

Summer Harmony (Day 6) {Part 5} - Modulation Assignment (Part 3)

09:29

Summer Harmony (Day 6) {Part 4} - Modulation Assignment (Part 2)

12:02

Summer Harmony (Day 6) {Part 3} - Modulation Assignment (Part 1)

07:51

Summer Harmony (Day 6) {Part 2} - Examples of Common Chords

10:53

Summer Harmony (Day 6) {Part 1} - Modulation

16:50

Summer Harmony (Day 5) {Part 9} - Voicing the Chords (still continued)

03:46

Summer Harmony (Day 5) {Part 8} (B) - Voicing the Chords (continued)

05:08

Summer Harmony (Day 5) {Part 8} (A) - Voicing the Chords

12:34

Summer Harmony (Day 5) {Part 7} - Figured Bass/Non-Chord Tones

01:59

Summer Harmony (Day 5) {Part 6} - Figured Bass Assignment

02:26

Summer Harmony (Day 5) {Part 5} - 6-5 going to a 1-6?

05:39

Summer Harmony (Day 5) {Part 4} - 7 Half-Diminished

04:52

Summer Harmony (Day 5) {Part 3} - Rules for Resolving a Seventh

01:32

Summer Harmony (Day 5) {Part 2} - Two-Seven Goes to Five

11:04

Summer Harmony (Day 5) {Part 1} - Commonly Used Diatonic Seventh Chords: ii7, vi7 & vii∅7

05:12

Summer Harmony (Day 4) {Part 10} - Double Periods

15:35

Summer Harmony (Day 4) {Part 9} - Writing Motion Analysis (continued)

10:31

Summer Harmony (Day 4) {Part 8} - Writing Motion Analysis

02:16

Summer Harmony (Day 4) {Part 7} - Period Writing Motions

03:42

Summer Harmony (Day 4) {Part 6} - Phrases and Periods

04:33

Summer Harmony (Day 4) {Part 5} - Table and Assignment of Cadences

04:18

Summer Harmony (Day 4) {Part 4} - Deceptive Cadence

04:53

Summer Harmony (Day 4) {Part 3} - Half Cadences

09:32

Summer Harmony (Day 4) {Part 2} - Authentic Cadences

03:29

Summer Harmony (Day 4) {Part 1} - Plagal Cadences

12:24

Summer Harmony (Day 3) {Part 7} - Another Analysis

03:55

Summer Harmony (Day 3) {Part 6} - Minor Voicings

09:47

Summer Harmony (Day 3) {Part 5} - Reviews of Doubling and 7ths

07:45

Summer Harmony (Day 3) {Part 4} - Writing Parts of a Cadence in Inversion

15:03

Summer Harmony (Day 3) {Part 3} - 7th Chords in Inversion

06:15

Summer Harmony (Day 3) {Part 2} - Dissonance needs Resolution

04:49

Summer Harmony (Day 3) {Part 1} - Types of 7th Chords

17:01

Summer Harmony (Day 2) {Part 5} - Harmonic Analysis

12:20

Summer Harmony (Day 2) {Part 4} - Non-Chord Definitions

06:30

Summer Harmony (Day 2) {Part 3} - Non-Chord Assignment Overview

01:30

Summer Harmony (Day 2) {Part 2} - Overview of Deceptive Progression

22:57

Summer Harmony (Day 2) {Part 1} - Harmonic Progression

10:59

Summer Harmony (Day 1) {Part 8} - Forbidden Motions

12:31

Summer Harmony (Day 1) {Part 7} - From One Chord to the Next (Motion Varieties)

02:17

Summer Harmony (Day 1) {Part 6} - Examples of Pedal 6-4